Mittwoch, 16. Dezember 2020

PAUL DAVIDSOHN Vienna London Berlin Famous Collector & Dealer LUGT No.654 Bartolommeo Biscaino Print Example

























BARTOLOMMEO BISCAINO Genova
getauft 14.4.1629 - Genua -1657
Starb durch die Pest

Als Radierer ist Biscaino dem Castiglione nahe verwandt.

Er zeichnet:
B , B., B°., Bet° , Bis° F, 
Bisca.us Genu.is F
Biscai.us Genue F
oder auch mit vollem Namen


FRITS LUGT Les Marques des Collections
de Dessin & d'Estampes
Amsterdam 1921
Nr.654 Paul Davidsohn.Berlin.London.Wien
siehe Photos 8,9,10


MADONNA mit dem eingeschlafenen KINDE über der Erdkugel
(cf. gleichnamige Zeichnung im Louvre. Paris)
La Ste. Vierge, vue de face et les yeux levés vers le ciel.
Elle a devant elle l'enfant Jésus qui est endormi, 
reposant sur la main gauche de sa mére et
ayant la jambe droite appuyée sur le globe de la terre.
On lit au milieu d'en bas Daman ex.
Dans un ovale.

Orig. Radierung, mit leichtem Plattenton auf geripptem Papier
Oval 150x110 mm mit Einfassungslinie (TC)
re. v. Ellbogen d. Kindes ist ein B schwach sichtbar
unten mittig über d. Einfassungslinie am Plattenrand 
bez. Daman ex. (i.e. gedruckt bei Daman)

WVZ: 
BARTSCH 29 (ohne Signaturvermerk 'B'), 
LE BLANC 23 ('ovale, anonyme, Daman ex. , 148x115')
verso : Sammler Stempel Lugt 654 i.e. Paul Davidsohn, Berlin
Versteigert bei Boerner, Leipzig 1920

Guter, ausgewogener & kontrastreicher Abzug
Gut erhalten, 
Verso auf halber Höhe wasserlösliche Montagestreifen

Bartsch: ''...très recherché...''
Singer: ''...gekonnte Nadel...''
Nagler: ''...lobt...''
Thieme-Becker:
 ''...lobt...'' zitiert Nagler
''...sehr graziös und sicher gezeichnet...''


Provenienz:
Samlg. William Korn Baden-Baden
Collection HELM&HELM sammlung
EBERBACH



cf. 
SAUR AKL II, 186-187 und 
SAUR BBI II, 28 ...painter, master draughtsman, graphic artist,
before 14.4.1629 Genua...
Thieme-Becker IV, 54-55
Charles Blanc, Trésor...Paris 1857/8, I u. II
Le Blanc, Manuel I, 346-348 mit Aufführung d. älteren Literatur
Mariette, Abecedario I, 131
Joubert I, 262
Malpé I, 70
Vallardi , 35
Basan, Dictionnaire des Graveurs vol.I, 69
Bryan I, 176
Bruillot II,nos.198 et 224; III nos. 132 et 167
Fuessli , 80
Heineken II, 728
Huber et Rost  IV, 54
Nagler Lex. I, 510 (resp. 529-530)
Nagler Monogrammisten  I, Nos. 1582,1662, 1712, 1912
Bartsch XXI, 106-116 (resp. 179)
Kristeller etc.

cf. 
Bestand an Radierungen der KUNSTHALLE HAMBURG
https://www.hamburger-kunsthalle.de/sammlung-online/suchen?artist=Biscaino%20%28Bisacaino%29%2C%20Bartolomeo

cf. 
BASSENGE.Berlin SALES   etc.

BIOGRAFIE bei wikipedia


cf.

cf.
Historische Bestände digital
BOERNER / DAVIDSOHN

cf.

cf.


About Paul Davidsohn

Paul Davidsohn, the second oldest brother of Robert, was born in 1839. At the age of nineteen he emigrated to Scotland, where he lived for three years. In 1862 he settled as a merchant in London. Like his uncle, Alexander Rosenberg, and his older brother, he started his print and art collection in 1870 . In 1882 he moved to Vienna and finally, in 1886, to Berlin, where he lived until his death in 1931 at the age of 92. In our family stories, the word was that he was a regular at every large art sale in Europe over a 50-year span that ended in 1920. When 6,000 of his 10,000 prints where put up for auction that year, the collection had grown to become the largest of its kind in the world. It included hundreds of prints by Dürer, Rembrandt and Ruben. The sale came at a time when the proceeds, which were mainly in U.S. Dollars, were welcome in Germany, where most fortunes had been lost as a result of the First World War or devoured by inflation. In a letter Tante Fili (his sister in-law) wrote in 1919 to her friend Isolde Kurz, she tells her that during the war they lost between 5 and 6 million Reichs Mark, an amount that at the time was equivalent to 1.5 million U.S. Dollars. In an extant art catalogue, the price for which each print was sold, is recorded. The sale brought in over 11 million Reichs Marks, which was equivalent to over 3 million U.S. Dollars, a large fortune in the early 1920's. In an April 12, 1921 entry in his diary, my grandfather notes that ”Onkel Paul gives us 100,000 Marks to pay for construction of our home.” And so, at the end of August 1921, thanks to Paul Davidsohn's collection, my grandparents moved into their new house on the Rosenhagen Strasse 22, in Ottmarschen, a beautiful suburb of Hamburg. The home still belongs to the family. In my grandfather’s diary, he describes many trips to Berlin during the 1920’s to visit Onkel Paul. During those years, my grandfather, who was the only surviving member of his generation, took care of various matters for his aging uncle, including managing the unsold prints and artworks from his collection. Most of the time he traveled alone, and sometimes with my grandmother and the children. My mother remembered staying at Onkel Paul’s villa in Berlin-Grunewald during the late 1920’s . In 1929 my grandfather received the power-of-attorney for his 90 year old uncle. After Onkel Paul's death 2 years later, my grandfather dissolved his estate, which included the sale of the villa, and dealing with the extant prints of his uncle's collection. Paul Davidsohn was the namesake of my grandfather’s brother, Paul Victor, his nephew. Sixty years after Paul Davidsohn’s death, my son, Paul Victor Osswald was born and now carries Paul Davidsohn and Paul Victor’s name.







 


 

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