KETTERER KUNST CONTEMPORARY 802
auction münchen auktion
11.6.16
don't press too much luck
JON PYLYPCHUCK
posted by peter helm
0700 POLYGRAF
POST 101
30.5.16
EXPO
USA Today: New American Art from the Saatchi Gallery London
ROYAL ACADEMY OF ARTS
you are all too close to dropping off now
... mit seinen surreal und expressiv aufgefassten werken in der traditionslinie
der
eröffnet er einblicke in fremde welten, bevölkert von fantastischen,
beschädigten kreaturen.
jon pylypchuks menagerie aus comicartigen tieren weckt dabei beim betrachter
bedingungslose empathie.
seine pelzigen effigien werden zu darstellern abgründiger menschlicher psychologie , die gerne der verdrängung anheimfallen.
auch in dem werk 'don't press too much luck' (2006) wird der oftmals tierisch anmutenden triebhaftigkeit der menschlichen natur mit humor begegnet.
die eindeutig sexuelle handlung der schwarzen katzen , in all ihrer unschuld betont durch die
phallusartig ringelsocke, wird zum irritierenden und amüsierenden element der skulpturengruppe.
katzenhafte vamps und samtiges plüsch gehen hier ein humoristisches spiel zwischen kitsch, fetisch und obszönität ein.
pylypchuck lebt und arbeitet in los angeles.
KETTERER KUNST CONTEMPORARY 802, 11.6.16 Auction München don't press too much luck JON PYLYPCHUCK JON PYLYPCHUCK EXPO USA Today: New American Art from the Saatchi Gallery London ROYAL ACADEMY OF ARTS you are all too close to dropping off now ... mit seinen surreal und expressiv aufgefassten wer...
KETTERER KUNST CONTEMPORARY 802 don't press too much luck JON PYLYPCHUCK EXPO USA Today: New American Art from the Saatchi Gallery London ROYAL ACADEMY OF ARTS you are all too close to dropping off...
1
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contemporary art
https://www.google.de/search?client=opera&q=contemporary+art&sourceid=opera&ie=UTF-8&oe=UTF-8
Contemporary art
From Wikipedia, the free encyclopedia
Detail from the Lascaux Caves paintings
History of art
Prehistoric Ancient European Asian Islamic Painting (Western)
Art history
v t e
Contemporary art is art produced at the present period in time. Contemporary art includes, and develops from, postmodern art, which is itself a successor to modern art.[1] In vernacular English, "modern" and "contemporary" are synonyms, resulting in some conflation of the terms "modern art" and "contemporary art" by non-specialists.
Contents [hide]
1 Scope
2 Institutions
3 Public attitudes
4 Concerns
5 Prizes
6 History
6.1 1950s
6.2 1960s
6.3 1970s
6.4 1980s
6.5 1990s
6.6 2000s
7 See also
8 Notes
9 References
10 Further reading
Scope[edit]
Some define contemporary art as art produced within "our lifetime," recognizing that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.[1]
The classification of "contemporary art" as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of Modernism in the English-speaking world. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums.[2] A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia,[3] and an increasing number after 1945.[4] Many, like the Institute of Contemporary Art, Boston changed their names from ones using "Modern art" in this period, as Modernism became defined as a historical art movement, and much "modern" art ceased to be "contemporary". The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary.
Particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what constitutes "contemporary art" in the 2010s vary, and are mostly imprecise. Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970;[5] "the art of the late 20th and early 21st century";[6] "the art of the late 20th cent. and early 21st cent., both an outgrowth and a rejection of modern art";[7] "Strictly speaking, the term "contemporary art" refers to art made and produced by artists living today";[8] "Art from the 1960's or 70's up until this very minute";[9] and sometimes further, especially in museum contexts, as museums which form a permanent collection of contemporary art inevitably find this aging. Many use the formulation "Modern and Contemporary Art", which avoids this problem.[10] Smaller commercial galleries, magazines and other sources may use stricter definitions, perhaps restricting the "contemporary" to work from 2000 onwards. Artists who are still productive after a long career, and ongoing art movements, may present a particular issue; galleries and critics are often reluctant to divide their work between the contemporary and non-contemporary.
Institutions[edit]
The functioning of the art world is dependent on art institutions, ranging from major museums to private galleries, non-profit spaces, art schools and publishers, and the practices of individual artists, curators, writers, collectors and philanthropists. A major division in the art world is between the for-profit and non-profit sectors, although in recent years the boundaries between for-profit private and non-profit public institutions have become increasingly blurred.
The Museum of Contemporary Art in Miami, Florida.
Most well-known contemporary art is exhibited by professional artists at commercial contemporary art galleries, by private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces. Contemporary artists are supported by grants, awards and prizes as well as by direct sales of their work. Career artists train at Art school or emerge from other fields.
There are close relationships between publicly funded contemporary art organisations and the commercial sector. For instance, in 2005 the book Understanding International Art Markets and Management reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums.[11]
Outstanding books and magazines and individual collectors can wield considerable influence.
Corporations have also integrated themselves into the contemporary art world, exhibiting contemporary art within their premises, organising and sponsoring contemporary art awards, and building up extensive corporate collections.[12] Corporate advertisers frequently use the prestige associated with contemporary art and Coolhunting to draw the attention of consumers to Luxury goods.
The institutions of art have been criticised for regulating what is designated as contemporary art. Outsider art, for instance, is literally contemporary art, in that it is produced in the present day. However, one critic has argued it is not considered so because the artists are self-taught and are thus assumed to be working outside of an art historical context.[13] Craft activities, such as textile design, are also excluded from the realm of contemporary art, despite large audiences for exhibitions.[14] Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted to the realm of contemporary art. "A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful."[15]
At any one time a particular place or group of artists can have a strong influence on subsequent contemporary art. For instance, The Ferus Gallery was a commercial gallery in Los Angeles and re-invigorated the Californian contemporary art scene in the late fifties and the sixties.
Public attitudes[edit]
Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values.[16] In Britain, in the 1990s, contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped-for "cultural utopia".[17] Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism, even rejection, is a legitimate and reasonable response to much contemporary art.[18] Brian Ashbee in an essay called "Art Bollocks" criticizes "much installation art, photography, conceptual art, video and other practices generally called post-modern" as being too dependent on verbal explanations in the form of theoretical discourse.[19]
Concerns[edit]
Main article: Classificatory disputes about art
A common concern since the early part of the 20th century has been the question of what constitutes art. In the contemporary period (1950 to now), the concept of avant-garde[20] may come into play in determining what art is noticed by galleries, museums, and collectors. Propaganda and entertainment in some circumstances have been regarded as art genres during the contemporary art period.
Prizes[edit]
Some competitions, awards, and prizes in contemporary art are:
Emerging Artist Award awarded by The Aldrich Contemporary Art Museum
Factor Prize in Southern Art
Hugo Boss Prize awarded by the Solomon R. Guggenheim Museum
John Moore’s Painting Prize
Kandinsky Prize for Russian artists under 30
Marcel Duchamp Prize awarded by ADIAF and Centre Pompidou
Ricard Prize for a French artist under 40
Turner Prize for British artists under 50
Participation in the Whitney Biennial
Vincent Award, The Vincent van Gogh Biennial Award for Contemporary Art in Europe
The Winifred Shantz Award for Ceramists, awarded by the Canadian Clay and Glass Gallery
Asia Pacific Breweries Foundation Signature Art Prize[21]
Jindřich Chalupecký Award for Czech artists under 35[22]
History[edit]
This table lists art movements and styles by decade. It should not be assumed to be conclusive.
1950s[edit]
Abstract Expressionism
American Figurative Expressionism
American scene painting
Antipodeans
Bay Area Figurative Movement
COBRA (avant-garde movement)
Color Field
Generación de la Ruptura
Gutai group
Lenticular prints
Les Plasticiens
Lyrical Abstraction (Abstract lyrique)
Modern traditional Balinese painting
New York Figurative Expressionism
New York School
Serial art
Situationist International
Soviet Nonconformist Art
Red Shirt School of Photography
Tachisme
Vienna School of Fantastic Realism
Washington Color School
1960s[edit]
Abstract expressionism
Abstract Imagists
American Figurative Expressionism
Art & Language
Bay Area Figurative Movement
BMPT
Chicago Imagists
Chicano art movement
Color field
Computer art
Conceptual art
Fluxus
Happenings
Hard-edge painting
Lenticular prints
Kinetic art
Light and Space
Lyrical Abstraction (American version)
Minimalism
Mono-ha
Neo-Dada
New York School
Nouveau Réalisme
Op Art
Performance art
Plop Art
Pop Art
Postminimalism
Post-painterly Abstraction
Psychedelic art
Soft sculpture
Systems art
Video art
Zero
1970s[edit]
Arte Povera
Ascii Art
Bad Painting
Body art
Artist's book
COUM Transmissions
Environmental art
Feminist art
Froissage
Holography
Installation art
Land Art
Lowbrow (art movement)
Mail art
Papunya Tula
Photorealism
Postminimalism
Process Art
Robotic art
Saint Soleil School
Video art
Funk art
Pattern and Decoration
Warli painting revival
Wildstyle
1980s[edit]
NAMES Project AIDS Memorial Quilt
Appropriation art
Culture jamming
Demoscene
Electronic art
Environmental art
Figuration Libre
Fractal art
Graffiti Art
Late Modernism
Live art
Neue Slowenische Kunst
Postmodern art
Neo-conceptual art
Neo-expressionism
Neo-pop
Sound art
Transavantgarde
Transgressive art
Transhumanist Art
Vancouver School
Video installation
Institutional Critique
Western and Central Desert art
1990s[edit]
Art intervention
Body art
Bio art
Cyberarts
Cynical Realism
Digital Art
Hyperrealism
Information art
Internet art
Massurrealism
Maximalism
New Leipzig School
New media art
New European Painting
Relational art
Software art
Toyism
Tactical media
Taring Padi
Western and Central Desert art
Young British Artists
2000s[edit]
Altermodern
Classical realism
Cynical realism
Excessivism
The Kitsch Movement
Post-contemporary
Metamodernism
Pseudorealism
Remodernism
Renewable energy sculpture
Street art
Stuckism
Superflat
Superstroke
Urban art
Videogame art
VJ art
Virtual art
See also[edit]
Acculturation
Anti-art and Anti-anti-art
Criticism of postmodernism
Classificatory disputes about art
List of contemporary art museums
List of contemporary artists
Medium specificity
Reductive art
Value theory
Notes[edit]
^ Jump up to: a b Esaak, Shelley. "What is "Contemporary" Art?". About.com. Retrieved 28 April 2013.
Jump up ^ Fry Roger, Ed. Craufurd D. Goodwin, Art and the Market: Roger Fry on Commerce in Art, 1999, University of Michigan Press, ISBN 0472109022, 9780472109029, google books
Jump up ^ Also the Contemporary Arts Society of Montreal, 1939–1948
Jump up ^ Smith, 257–258
Jump up ^ Some definitions: "Art21 defines contemporary art as the work of artists who are living in the twenty-first century." Art21
Jump up ^ "Contemporary art - Define Contemporary art at Dictionary.com". Dictionary.com.
Jump up ^ "Yahoo". Yahoo.
Jump up ^ "About Contemporary Art (Education at the Getty)".
Jump up ^ Shelley Esaak. "What is Contemporary Art?". About.com Education.
Jump up ^ Examples of specializing museums include the Strasbourg Museum of Modern and Contemporary Art and Museum of Modern and Contemporary Art of Trento and Rovereto. The Oxford Dictionary of Modern and Contemporary Art is one of many book titles to use the phrase.
Jump up ^ Derrick Chong in Iain Robertson, Understanding International Art Markets And Management, Routledge, 2005, p95. ISBN 0-415-33956-1
Jump up ^ Chin-Tao Wu, Privatising Culture: Corporate Art Intervention Since the 1980s, Verso, 2002, p14. ISBN 1-85984-472-3
Jump up ^ Gary Alan Fine, Everyday Genius: Self-Taught Art and the Culture of Authenticity, University of Chicago Press, 2004, pp42-43. ISBN 0-226-24950-6
Jump up ^ Peter Dormer, The Culture of Craft: Status and Future, Manchester University Press, 1996, p175. ISBN 0-7190-4618-1
Jump up ^ Peter Timms, What's Wrong with Contemporary Art?, UNSW Press, 2004, p17. ISBN 0-86840-407-1
Jump up ^ Mary Jane Jacob and Michael Brenson, Conversations at the Castle: Changing Audiences and Contemporary Art, MIT Press, 1998, p30. ISBN 0-262-10072-X
Jump up ^ Julian Stallabrass, High Art Lite: British Art in the 1990s, Verso, 1999, pp1-2. ISBN 1-85984-721-8
Jump up ^ Spalding, Julian, The Eclipse of Art: Tackling the Crisis in Art Today, Prestel Publishing, 2003. ISBN 3-7913-2881-6
Jump up ^ "Art Bollocks". Ipod.org.uk. 1990-05-05. Archived from the original on 16 July 2011. Retrieved 2011-08-17.
Jump up ^ Fred Orton & Griselda Pollock, Avant-Gardes and Partisans Reviewed. Manchester University, 1996. ISBN 0-7190-4399-9
Jump up ^ "Signature Art Prize - Home".
Jump up ^ Jindřich Chalupecký Award
References[edit]
Smith, Terry (2009). What Is Contemporary Art?. Chicago: University of Chicago Press. ISBN 978-0226764313. Retrieved 26 April 2013.
Meyer, Richard (2013). What Was Contemporary Art?. Cambridge: MIT Press. ISBN 978-0262135085. Retrieved 26 October 2014.
Further reading[edit]
Wikimedia Commons has media related to Contemporary art.
Atkins, Robert (2013). Artspeak :A Guide To Contemporary Ideas, Movements, and Buzzwords, 1945 To the Present. (3rd. ed.). New York: Abbeville Press. ISBN 978-0789211514.
Kristine Stiles and Peter Howard Selz, Theories and Documents of Contemporary Art, A Sourcebook of Artists's Writings (1996), ISBN 0-520-20251-1
Pascal Gielen, The Murmuring of the Artistic Multitude: Global Art, Memory and Post-Fordism. Valiz: Amsterdam (2009).[full citation needed]
Isabelle Loring Wallace and Jennie Hirsh, Contemporary Art and Classical Myth. Farnham: Ashgate (2011), ISBN 978-0-7546-6974-6
[show] v t e
Art movements
Categories: Contemporary artPostmodern artPostmodernismArt by period of creation
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https://www.google.de/search?client=opera&q=contemporary+art&sourceid=opera&ie=UTF-8&oe=UTF-8
Contemporary art
From Wikipedia, the free encyclopedia
Detail from the Lascaux Caves paintings
History of art
Prehistoric Ancient European Asian Islamic Painting (Western)
Art history
v t e
Contemporary art is art produced at the present period in time. Contemporary art includes, and develops from, postmodern art, which is itself a successor to modern art.[1] In vernacular English, "modern" and "contemporary" are synonyms, resulting in some conflation of the terms "modern art" and "contemporary art" by non-specialists.
Contents [hide]
1 Scope
2 Institutions
3 Public attitudes
4 Concerns
5 Prizes
6 History
6.1 1950s
6.2 1960s
6.3 1970s
6.4 1980s
6.5 1990s
6.6 2000s
7 See also
8 Notes
9 References
10 Further reading
Scope[edit]
Some define contemporary art as art produced within "our lifetime," recognizing that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.[1]
The classification of "contemporary art" as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of Modernism in the English-speaking world. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums.[2] A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia,[3] and an increasing number after 1945.[4] Many, like the Institute of Contemporary Art, Boston changed their names from ones using "Modern art" in this period, as Modernism became defined as a historical art movement, and much "modern" art ceased to be "contemporary". The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary.
Particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what constitutes "contemporary art" in the 2010s vary, and are mostly imprecise. Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970;[5] "the art of the late 20th and early 21st century";[6] "the art of the late 20th cent. and early 21st cent., both an outgrowth and a rejection of modern art";[7] "Strictly speaking, the term "contemporary art" refers to art made and produced by artists living today";[8] "Art from the 1960's or 70's up until this very minute";[9] and sometimes further, especially in museum contexts, as museums which form a permanent collection of contemporary art inevitably find this aging. Many use the formulation "Modern and Contemporary Art", which avoids this problem.[10] Smaller commercial galleries, magazines and other sources may use stricter definitions, perhaps restricting the "contemporary" to work from 2000 onwards. Artists who are still productive after a long career, and ongoing art movements, may present a particular issue; galleries and critics are often reluctant to divide their work between the contemporary and non-contemporary.
Institutions[edit]
The functioning of the art world is dependent on art institutions, ranging from major museums to private galleries, non-profit spaces, art schools and publishers, and the practices of individual artists, curators, writers, collectors and philanthropists. A major division in the art world is between the for-profit and non-profit sectors, although in recent years the boundaries between for-profit private and non-profit public institutions have become increasingly blurred.
The Museum of Contemporary Art in Miami, Florida.
Most well-known contemporary art is exhibited by professional artists at commercial contemporary art galleries, by private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces. Contemporary artists are supported by grants, awards and prizes as well as by direct sales of their work. Career artists train at Art school or emerge from other fields.
There are close relationships between publicly funded contemporary art organisations and the commercial sector. For instance, in 2005 the book Understanding International Art Markets and Management reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums.[11]
Outstanding books and magazines and individual collectors can wield considerable influence.
Corporations have also integrated themselves into the contemporary art world, exhibiting contemporary art within their premises, organising and sponsoring contemporary art awards, and building up extensive corporate collections.[12] Corporate advertisers frequently use the prestige associated with contemporary art and Coolhunting to draw the attention of consumers to Luxury goods.
The institutions of art have been criticised for regulating what is designated as contemporary art. Outsider art, for instance, is literally contemporary art, in that it is produced in the present day. However, one critic has argued it is not considered so because the artists are self-taught and are thus assumed to be working outside of an art historical context.[13] Craft activities, such as textile design, are also excluded from the realm of contemporary art, despite large audiences for exhibitions.[14] Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted to the realm of contemporary art. "A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful."[15]
At any one time a particular place or group of artists can have a strong influence on subsequent contemporary art. For instance, The Ferus Gallery was a commercial gallery in Los Angeles and re-invigorated the Californian contemporary art scene in the late fifties and the sixties.
Public attitudes[edit]
Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values.[16] In Britain, in the 1990s, contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped-for "cultural utopia".[17] Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism, even rejection, is a legitimate and reasonable response to much contemporary art.[18] Brian Ashbee in an essay called "Art Bollocks" criticizes "much installation art, photography, conceptual art, video and other practices generally called post-modern" as being too dependent on verbal explanations in the form of theoretical discourse.[19]
Concerns[edit]
Main article: Classificatory disputes about art
A common concern since the early part of the 20th century has been the question of what constitutes art. In the contemporary period (1950 to now), the concept of avant-garde[20] may come into play in determining what art is noticed by galleries, museums, and collectors. Propaganda and entertainment in some circumstances have been regarded as art genres during the contemporary art period.
Prizes[edit]
Some competitions, awards, and prizes in contemporary art are:
Emerging Artist Award awarded by The Aldrich Contemporary Art Museum
Factor Prize in Southern Art
Hugo Boss Prize awarded by the Solomon R. Guggenheim Museum
John Moore’s Painting Prize
Kandinsky Prize for Russian artists under 30
Marcel Duchamp Prize awarded by ADIAF and Centre Pompidou
Ricard Prize for a French artist under 40
Turner Prize for British artists under 50
Participation in the Whitney Biennial
Vincent Award, The Vincent van Gogh Biennial Award for Contemporary Art in Europe
The Winifred Shantz Award for Ceramists, awarded by the Canadian Clay and Glass Gallery
Asia Pacific Breweries Foundation Signature Art Prize[21]
Jindřich Chalupecký Award for Czech artists under 35[22]
History[edit]
This table lists art movements and styles by decade. It should not be assumed to be conclusive.
1950s[edit]
Abstract Expressionism
American Figurative Expressionism
American scene painting
Antipodeans
Bay Area Figurative Movement
COBRA (avant-garde movement)
Color Field
Generación de la Ruptura
Gutai group
Lenticular prints
Les Plasticiens
Lyrical Abstraction (Abstract lyrique)
Modern traditional Balinese painting
New York Figurative Expressionism
New York School
Serial art
Situationist International
Soviet Nonconformist Art
Red Shirt School of Photography
Tachisme
Vienna School of Fantastic Realism
Washington Color School
1960s[edit]
Abstract expressionism
Abstract Imagists
American Figurative Expressionism
Art & Language
Bay Area Figurative Movement
BMPT
Chicago Imagists
Chicano art movement
Color field
Computer art
Conceptual art
Fluxus
Happenings
Hard-edge painting
Lenticular prints
Kinetic art
Light and Space
Lyrical Abstraction (American version)
Minimalism
Mono-ha
Neo-Dada
New York School
Nouveau Réalisme
Op Art
Performance art
Plop Art
Pop Art
Postminimalism
Post-painterly Abstraction
Psychedelic art
Soft sculpture
Systems art
Video art
Zero
1970s[edit]
Arte Povera
Ascii Art
Bad Painting
Body art
Artist's book
COUM Transmissions
Environmental art
Feminist art
Froissage
Holography
Installation art
Land Art
Lowbrow (art movement)
Mail art
Papunya Tula
Photorealism
Postminimalism
Process Art
Robotic art
Saint Soleil School
Video art
Funk art
Pattern and Decoration
Warli painting revival
Wildstyle
1980s[edit]
NAMES Project AIDS Memorial Quilt
Appropriation art
Culture jamming
Demoscene
Electronic art
Environmental art
Figuration Libre
Fractal art
Graffiti Art
Late Modernism
Live art
Neue Slowenische Kunst
Postmodern art
Neo-conceptual art
Neo-expressionism
Neo-pop
Sound art
Transavantgarde
Transgressive art
Transhumanist Art
Vancouver School
Video installation
Institutional Critique
Western and Central Desert art
1990s[edit]
Art intervention
Body art
Bio art
Cyberarts
Cynical Realism
Digital Art
Hyperrealism
Information art
Internet art
Massurrealism
Maximalism
New Leipzig School
New media art
New European Painting
Relational art
Software art
Toyism
Tactical media
Taring Padi
Western and Central Desert art
Young British Artists
2000s[edit]
Altermodern
Classical realism
Cynical realism
Excessivism
The Kitsch Movement
Post-contemporary
Metamodernism
Pseudorealism
Remodernism
Renewable energy sculpture
Street art
Stuckism
Superflat
Superstroke
Urban art
Videogame art
VJ art
Virtual art
See also[edit]
Acculturation
Anti-art and Anti-anti-art
Criticism of postmodernism
Classificatory disputes about art
List of contemporary art museums
List of contemporary artists
Medium specificity
Reductive art
Value theory
Notes[edit]
^ Jump up to: a b Esaak, Shelley. "What is "Contemporary" Art?". About.com. Retrieved 28 April 2013.
Jump up ^ Fry Roger, Ed. Craufurd D. Goodwin, Art and the Market: Roger Fry on Commerce in Art, 1999, University of Michigan Press, ISBN 0472109022, 9780472109029, google books
Jump up ^ Also the Contemporary Arts Society of Montreal, 1939–1948
Jump up ^ Smith, 257–258
Jump up ^ Some definitions: "Art21 defines contemporary art as the work of artists who are living in the twenty-first century." Art21
Jump up ^ "Contemporary art - Define Contemporary art at Dictionary.com". Dictionary.com.
Jump up ^ "Yahoo". Yahoo.
Jump up ^ "About Contemporary Art (Education at the Getty)".
Jump up ^ Shelley Esaak. "What is Contemporary Art?". About.com Education.
Jump up ^ Examples of specializing museums include the Strasbourg Museum of Modern and Contemporary Art and Museum of Modern and Contemporary Art of Trento and Rovereto. The Oxford Dictionary of Modern and Contemporary Art is one of many book titles to use the phrase.
Jump up ^ Derrick Chong in Iain Robertson, Understanding International Art Markets And Management, Routledge, 2005, p95. ISBN 0-415-33956-1
Jump up ^ Chin-Tao Wu, Privatising Culture: Corporate Art Intervention Since the 1980s, Verso, 2002, p14. ISBN 1-85984-472-3
Jump up ^ Gary Alan Fine, Everyday Genius: Self-Taught Art and the Culture of Authenticity, University of Chicago Press, 2004, pp42-43. ISBN 0-226-24950-6
Jump up ^ Peter Dormer, The Culture of Craft: Status and Future, Manchester University Press, 1996, p175. ISBN 0-7190-4618-1
Jump up ^ Peter Timms, What's Wrong with Contemporary Art?, UNSW Press, 2004, p17. ISBN 0-86840-407-1
Jump up ^ Mary Jane Jacob and Michael Brenson, Conversations at the Castle: Changing Audiences and Contemporary Art, MIT Press, 1998, p30. ISBN 0-262-10072-X
Jump up ^ Julian Stallabrass, High Art Lite: British Art in the 1990s, Verso, 1999, pp1-2. ISBN 1-85984-721-8
Jump up ^ Spalding, Julian, The Eclipse of Art: Tackling the Crisis in Art Today, Prestel Publishing, 2003. ISBN 3-7913-2881-6
Jump up ^ "Art Bollocks". Ipod.org.uk. 1990-05-05. Archived from the original on 16 July 2011. Retrieved 2011-08-17.
Jump up ^ Fred Orton & Griselda Pollock, Avant-Gardes and Partisans Reviewed. Manchester University, 1996. ISBN 0-7190-4399-9
Jump up ^ "Signature Art Prize - Home".
Jump up ^ Jindřich Chalupecký Award
References[edit]
Smith, Terry (2009). What Is Contemporary Art?. Chicago: University of Chicago Press. ISBN 978-0226764313. Retrieved 26 April 2013.
Meyer, Richard (2013). What Was Contemporary Art?. Cambridge: MIT Press. ISBN 978-0262135085. Retrieved 26 October 2014.
Further reading[edit]
Wikimedia Commons has media related to Contemporary art.
Atkins, Robert (2013). Artspeak :A Guide To Contemporary Ideas, Movements, and Buzzwords, 1945 To the Present. (3rd. ed.). New York: Abbeville Press. ISBN 978-0789211514.
Kristine Stiles and Peter Howard Selz, Theories and Documents of Contemporary Art, A Sourcebook of Artists's Writings (1996), ISBN 0-520-20251-1
Pascal Gielen, The Murmuring of the Artistic Multitude: Global Art, Memory and Post-Fordism. Valiz: Amsterdam (2009).[full citation needed]
Isabelle Loring Wallace and Jennie Hirsh, Contemporary Art and Classical Myth. Farnham: Ashgate (2011), ISBN 978-0-7546-6974-6
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Art movements
Categories: Contemporary artPostmodern artPostmodernismArt by period of creation
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zeitgenössische kunst
Zeitgenössische Kunst ist Kunst, insbesondere Bildende Kunst, die von Zeitgenossen hergestellt und von anderen Zeitgenossen als bedeutend wahrgenommen wird. In der Regel − falls nicht ausdrücklich ein definierter, zurückliegender, Zeitrahmen genannt wird („Zeitgenössische Kunst des 19. Jahrhunderts“) − ist damit die jeweilige Gegenwartskunst gemeint. Vergleichbare Benennungen in diesem Zusammenhang sind aktuelle Kunst sowie der englischsprachige Begriff contemporary art.
Inhaltsverzeichnis [Verbergen]
1 Verwendung
2 Kritik am Begriff
3 Siehe auch
4 Weblinks
5 Einzelnachweise
Verwendung[Bearbeiten | Quelltext bearbeiten]
Die Begriffe Zeitgenössische Kunst und Gegenwartskunst werden benutzt, um die Bezeichnung Moderne Kunst bzw. Avantgarde zu vermeiden. Alltagssprachlich steht modern für „zeitgemäß, nach dem Zeitgeschmack, neuzeitlich“[1] und kann insofern als Synonym zu zeitgenössisch gelten. Fachsprachlich, im Kontext der Kunst- und Kulturgeschichte, ist der Begriff der Moderne jedoch mehr oder weniger fest mit einer zwar nicht abgeschlossenen, aber bereits historischen Epoche der Kunstgeschichte verbunden. Insbesondere im Zusammenhang mit dem Aufkommen des Begriffs der Postmoderne, siehe auch postmoderne Architektur, gilt hier modern nicht mehr unbedingt als zeitgenössisch oder zeitgemäß.
Mit den Begriffen Zeitgenössische Kunst, Gegenwartskunst und contemporary Art ist keine Aussage zu Konzept, künstlerischem Stil, Technik, Form sowie Zugehörigkeit zu einer künstlerischen Strömung, Bewegung bzw. Gruppe verbunden. Zeitgenössische Kunst kann Malerei sein, aber beispielsweise auch in einer Form vorliegen, die sich erst in den jeweils letzten Jahren und Jahrzehnten etablierte, wie beispielsweise Videokunst, Performance, Konzeptkunst oder auch die abstrakte Metallplastik.
Die Begriffe Zeitgenössische Kunst und Gegenwartskunst können nicht nur auf das einzelne Kunstwerk zielen, sondern auch auf ein schwer abgrenzbares kulturelles und ökonomisches System der Kunstproduktion, das sich teilweise mit dem Kunstbetrieb überschneidet und teilweise am Kunstmarkt orientiert. Viele Museen und regelmäßig stattfindende Kunstausstellungen sehen sich heute weltweit als Ausstellungsorte für relevante zeitgenössische Kunst. Als die bedeutendste Ausstellung für die jeweilige Gegenwartskunst gilt die alle fünf Jahre stattfindende documenta-Ausstellung in Kassel. Die Ausstellungsmacher der documenta 12 im Jahr 2007 betonten im Zusammenhang mit den Begriffen Zeitgenössische Kunst und aktuelle Kunst, dass „[…] „aktuell“ nicht heißt, dass die Werke gestern entstanden sind. Sie müssen für uns Heutige bedeutsam sein.“[2]
Kritik am Begriff[Bearbeiten | Quelltext bearbeiten]
Der Globalisierungsprozess stellt allerdings den Begriff einer einheitlichen Zeitgenossenschaft in Frage. „Die ‚zeitgenössische Kunst‘“ ist ein kollektives Bild der Postmoderne. […] Der sprachlichen Logik nach erhebt diese Wortverbindung den Anspruch, eine – mehr oder weniger – globale zeitgenössische Gemeinschaft umzufassen. In Wirklichkeit agiert sie als ein Wertbegriff mit Zulassungsfunktion: Er bestimmt, was Kunst ist und was nicht. Den Kunstwerken von Zeitgenossen, welche in das etablierte Konzept der ‚zeitgenössischen Kunst‘ nicht passen, wird aufgrund dieser Differenz die künstlerische Qualität abgesprochen.[3]
Siehe auch[Bearbeiten | Quelltext bearbeiten]
Moderne Kunst
Bildende Kunst
Weblinks[Bearbeiten | Quelltext bearbeiten]
Commons: Zeitgenössische Kunst – Album mit Bildern, Videos und Audiodateien
Sondersammelgebiet Zeitgenössische Kunst an der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden
Einzelnachweise[Bearbeiten | Quelltext bearbeiten]
Hochspringen ↑ Mackensen – Großes Deutsches Wörterbuch, 1977
Hochspringen ↑ nach DOCUMENTA KASSEL 16/06–23/09 2007, Faltblatt der documenta 12, Drucklegung 2006–11
Hochspringen ↑ Ljudmila Belkin: Fremde Zeitgenossenschaften. In: Faust Kultur. 15. Juni 2015
Kategorie: Zeitgenössische Kunst
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Zeitgenössische Kunst ist Kunst, insbesondere Bildende Kunst, die von Zeitgenossen hergestellt und von anderen Zeitgenossen als bedeutend wahrgenommen wird. In der Regel − falls nicht ausdrücklich ein definierter, zurückliegender, Zeitrahmen genannt wird („Zeitgenössische Kunst des 19. Jahrhunderts“) − ist damit die jeweilige Gegenwartskunst gemeint. Vergleichbare Benennungen in diesem Zusammenhang sind aktuelle Kunst sowie der englischsprachige Begriff contemporary art.
Inhaltsverzeichnis [Verbergen]
1 Verwendung
2 Kritik am Begriff
3 Siehe auch
4 Weblinks
5 Einzelnachweise
Verwendung[Bearbeiten | Quelltext bearbeiten]
Die Begriffe Zeitgenössische Kunst und Gegenwartskunst werden benutzt, um die Bezeichnung Moderne Kunst bzw. Avantgarde zu vermeiden. Alltagssprachlich steht modern für „zeitgemäß, nach dem Zeitgeschmack, neuzeitlich“[1] und kann insofern als Synonym zu zeitgenössisch gelten. Fachsprachlich, im Kontext der Kunst- und Kulturgeschichte, ist der Begriff der Moderne jedoch mehr oder weniger fest mit einer zwar nicht abgeschlossenen, aber bereits historischen Epoche der Kunstgeschichte verbunden. Insbesondere im Zusammenhang mit dem Aufkommen des Begriffs der Postmoderne, siehe auch postmoderne Architektur, gilt hier modern nicht mehr unbedingt als zeitgenössisch oder zeitgemäß.
Mit den Begriffen Zeitgenössische Kunst, Gegenwartskunst und contemporary Art ist keine Aussage zu Konzept, künstlerischem Stil, Technik, Form sowie Zugehörigkeit zu einer künstlerischen Strömung, Bewegung bzw. Gruppe verbunden. Zeitgenössische Kunst kann Malerei sein, aber beispielsweise auch in einer Form vorliegen, die sich erst in den jeweils letzten Jahren und Jahrzehnten etablierte, wie beispielsweise Videokunst, Performance, Konzeptkunst oder auch die abstrakte Metallplastik.
Die Begriffe Zeitgenössische Kunst und Gegenwartskunst können nicht nur auf das einzelne Kunstwerk zielen, sondern auch auf ein schwer abgrenzbares kulturelles und ökonomisches System der Kunstproduktion, das sich teilweise mit dem Kunstbetrieb überschneidet und teilweise am Kunstmarkt orientiert. Viele Museen und regelmäßig stattfindende Kunstausstellungen sehen sich heute weltweit als Ausstellungsorte für relevante zeitgenössische Kunst. Als die bedeutendste Ausstellung für die jeweilige Gegenwartskunst gilt die alle fünf Jahre stattfindende documenta-Ausstellung in Kassel. Die Ausstellungsmacher der documenta 12 im Jahr 2007 betonten im Zusammenhang mit den Begriffen Zeitgenössische Kunst und aktuelle Kunst, dass „[…] „aktuell“ nicht heißt, dass die Werke gestern entstanden sind. Sie müssen für uns Heutige bedeutsam sein.“[2]
Kritik am Begriff[Bearbeiten | Quelltext bearbeiten]
Der Globalisierungsprozess stellt allerdings den Begriff einer einheitlichen Zeitgenossenschaft in Frage. „Die ‚zeitgenössische Kunst‘“ ist ein kollektives Bild der Postmoderne. […] Der sprachlichen Logik nach erhebt diese Wortverbindung den Anspruch, eine – mehr oder weniger – globale zeitgenössische Gemeinschaft umzufassen. In Wirklichkeit agiert sie als ein Wertbegriff mit Zulassungsfunktion: Er bestimmt, was Kunst ist und was nicht. Den Kunstwerken von Zeitgenossen, welche in das etablierte Konzept der ‚zeitgenössischen Kunst‘ nicht passen, wird aufgrund dieser Differenz die künstlerische Qualität abgesprochen.[3]
Siehe auch[Bearbeiten | Quelltext bearbeiten]
Moderne Kunst
Bildende Kunst
Weblinks[Bearbeiten | Quelltext bearbeiten]
Commons: Zeitgenössische Kunst – Album mit Bildern, Videos und Audiodateien
Sondersammelgebiet Zeitgenössische Kunst an der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden
Einzelnachweise[Bearbeiten | Quelltext bearbeiten]
Hochspringen ↑ Mackensen – Großes Deutsches Wörterbuch, 1977
Hochspringen ↑ nach DOCUMENTA KASSEL 16/06–23/09 2007, Faltblatt der documenta 12, Drucklegung 2006–11
Hochspringen ↑ Ljudmila Belkin: Fremde Zeitgenossenschaften. In: Faust Kultur. 15. Juni 2015
Kategorie: Zeitgenössische Kunst
Navigationsmenü
Nicht angemeldetDiskussionsseiteBeiträgeBenutzerkonto erstellenAnmeldenArtikelDiskussionLesenBearbeitenQuelltext bearbeitenVersionsgeschichte
Suchen
Artikel
Hauptseite
Themenportale
Von A bis Z
Zufälliger Artikel
Mitmachen
Artikel verbessern
Neuen Artikel anlegen
Autorenportal
Hilfe
Letzte Änderungen
Kontakt
Spenden
Werkzeuge
Links auf diese Seite
Änderungen an verlinkten Seiten
Spezialseiten
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Wikidata-Datenobjekt
Artikel zitieren
Drucken/exportieren
Buch erstellen
Als PDF herunterladen
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In anderen Projekten
Commons
In anderen Sprachen
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Azərbaycanca
Български
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Norsk bokmål
Polski
Português
Română
Русский
Srpskohrvatski / српскохрватски
Simple English
Slovenščina
Српски / srpski
Svenska
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Links bearbeiten
Diese Seite wurde zuletzt am 28. Mai 2016 um 16:11 Uhr geändert.
Abrufstatistik
Der Text ist unter der Lizenz „Creative Commons Attribution/Share Alike“ verfügbar; Informationen zu den Urhebern und zum Lizenzstatus eingebundener Mediendateien (etwa Bilder oder Videos) können im Regelfall durch Anklicken dieser abgerufen werden. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden.
Wikipedia® ist eine eingetragene Marke der Wikimedia Foundation Inc.
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