Google1st: PERRIN STEIN Frago Sultans JSTOR https://www.jstor.org/stable/25699108?read-now=1&seq=1#page_scan_tab

https://web.archive.org/web/20220911091315/https://sites.google.com/site/agevirtuel/ bloGspOt 3117 augsthelm polygraphicae polygraf0700polygraph amateur professionell dweed 1377 https://twitter.com/PeterHelm12/status/1636119946370400257 <> POLYWEB INDEX <> aces faces places races traces peter helm on denon lithographie catalogues CHRISTIE'S CATALOGUES LONDONSEO NEWYORKSEO SOTHEYBUY don't get me wrong https://www.youtube.com/watch?app=desktop&v=vveI8BNCCX8&fbclid=IwAR14ODfa5DzeovbNFx41P59hmRbTjfVPB9y4OCacOMSVw9FK4nY8EI0JqFw like angels do REVALORISATION PERRIN STEIN Curator, Drawings & Prints . The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake METROPOLITAN MUSEUM JOURNAL Vol.44 (2009) pp. 121-129 (9 pages) Published by the University of Chicago Press

[jstor / stable / 25699108] p.124 fig.3 After Jean-Honoré Fragonard . The Sultan , ca. 1816-26 Lithograph 14 1/2 x 11 in. (37x26cm) PROUTÉ COLLECTION . PARIS https://www.jstor.org/stable/25699108?read-now=1&seq=1#page_scan_tab_contents <>

cf. FRAGONARD DRAWING TRIUMPHANT Works from New York Collections Perrin Stein with contributions by Marie-Anne Dupuy-Vachey. Eunice Williams. Kelsey Brosnan THE MET 2016 The Metropolitan Museum of Art, New York Distributed by Yale University Press, New Haven and London p.182, 57. The Sultan 1774 Brush and brown wash over black chalk underdrawing 14 1/4 x 11 1/4 in. (36.2 x 28.6 cm) Inscription: at lower right, in pen and brown ink, 'Roma / 1774'; at lower right, stamped in black ink with the collector's mark of Baron Dominique Vivant Denon (Lugt 779). ...The traditional title of the sheet, The Sultan, dates only to the 1846 sale of Vivant Denon's nephew; in earlier sales in 1797 and 1826 it was referred to as 'A Seated Turk'[2]. In all probability, the sitter is neither a sultan nor a Turk but a model or someone in the circle of the Académie de France in Rome who posed in Turkish Dress. The practice of making studies of such figures--which occurred frequently in history subjects, exotic genre paintings, and port scenes--traced its lineage to the Ottoman-themed masquerade staged by the pensionnaires in -748 [3]
Fragonard himself was later inspired to create turquerie scenes (for example, cat.90), a popular form of exoticism in eighteenth-century France.PS SELECTED REFERENCES: Ananoff 1961-70, vol.2(1963), p.80, no.758,fig.209; Rosenberg 2006, p.154, under cat. no.84,fig.85; Shelley 2009; Stein 2009, fig.2 <>

<> cf. MADV Le cabinet de M. Denon / collectionneur et lithographe Nos.60ff. Estampes et dessins non publiés dans les Monuments des arts du dessin p.96,74. Am[...]d'AUB [...], d'après un dessin* de Daniel DURINGER, (Steckborn, 1720-Steckborn,1786), Paysage montagneux Lithographie 26x33 cm Inv. 2005.0.2.55; autre exemplaire : inv. 81.13.1 en dessous : Duringer del.; Am:d'Aub... fec. / Tiré di Cabinet de Mr. Denon *Bibl. : vente Denon, Paris, 1826, no.838, p. 124? <> p.89, 62. Da. d'après un dessin* de Jean-Honoré FRAGONARD, (Grasse, 1732-Paris, 1806), Turc assis Lithographie 36,5 x 28 cm Inv. 2005.0.2.40 en dessous : Fragonard père del.; Da Ft. / Tiré du Cabinet de Mr. Denon *Bibl. : vente Denon, Paris, 1826, no.729, p.177; cat. exp. Grand-Palais, 1987,no.178,fig.1. Marie-Anne Dupuy-Vachey Historienne de l'Art 2005 p.10 ...Elle révèle aussi toute une série de lithographies qui n'avaient pas été retenues pour l'edition de 1829. Si on connaissait l'existenve de quelques-unes d'entre elles, la plupart sont totalement inédites. Elles éclairent d'un jour nouveau la collection de Denon. Elles soulèvent également beaucoup de questions sur la réalisation de cet ouvrage et les choix qui ont été faits. Est-ce seulement pour des raisons économiques que certaines planches furent mises de côté ? En existe-t-il encore beaucoup d'autres à découvrir ? Sachant que le Gilles de Watteau était un des tableaux préférés de Denon, comment expliquer qu'il ne l'ait pas fait lithographier ? Réussira-t-on un jour à identifier la tête d'homme reproduite sur la pierre lithographique placée ostesiblement dans le Portrait de Denon peint par Berthon, et qui pourrait bien être en relation avec les Monuments ?

cf. Exemplaire collection HELM&HELM sammlung {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm } CHRISTIE'S CATALOGUES LONDONSEO NEWYORKSEO SOTHEYBUY

file:///C:/Users/User/Downloads/The_Metropolitan_Museum_Journal_v_44_2009.pdf

Fragonard père del. Tiré du Cabinet de Mr. Denon {Dn.F.} Da Ft. 368x283mm TC / [386x283mm avec la lettre / Papier Dimensions 470x330mm

Essai au Crayon à la Plume et à l'Estompe fait à la lithographie (Senefelder) de munich le 15 (Septembre) 9re 1809 Denon

A. Pütterich k.k. Hofvergolder MÜNCHEN Löwengrube Nr.17

<> Exemplaire de haute Curiosité. Notes by Perrin Stein Curator, Drawings&Prints The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake Metropolitan Museum Journal 44, pp 121-129 ( 9 pages) New York 2009 p.121 ...indeed Rosenberg Paris 1987/88 New York supplied an important piece of evidence illuminating the work of the forger: a photograph of a rare lithograph showing Fragonard's composition in reverse (Fig.3) The lithograph had its origins in an ambitious publishing project undertaken in 1816 by Dominique-Vivant Denon who was a collector as well as an artist and curator and wished toward the end of his life to immortalize his collection through a set of prints [1816/307 lithographs). The resulting four-volume Monuments des Arts du Dessin chez les Peuples tant anciens que modernes, recueillies par le Baron Vivant Denon which included 307 plates, saw the light of day only in 1829 four years after Denon's death (6). Although the lithograph after Fragonard's Sultan drawing does not appear in the published volumes , it survives in a few loose examples, suggesting at that some point the intention was to include it (7). The lithograph itself need not have been seen in the Monuments des Arts du Dessin, however, for the names of the maker and the collector of the drawing to have been known: the lettering on the print identifies both the artist 'Fragonard père del.' [Fragonard the elder](8), and the collection: 'Tiré du Cabinet de Mr. Denon' ( From the Collection of Monsieur Denon). Presumably using this lithograph as a model - for the dimensions of the motifs are identical - the forger cleverly created his drawing in reverse direction, perhaps with the aid of transmitted light (9) and added at the lower right a stamp (Fig.4) imitating Lugt 779 Denon (Fig.5) Note 7 p.128 In the Catalogue of the Denon Sale 1826, lot 729 - Fragonard's Sultan drawing was marked with an asterix, indicating that the sheet had been lithographed. Note 17 The catalogue of the Desmarets 'Cassation de Commerce' Sale, Paris, March 17, 1797 and days following (Lugt 5555) lists a framed drawing by Fragonard as lot 85 'Un Turc assis, dessin lavé au bistre, sur papier blanc - hauteur 14 pouces, largeur 10 pouces 1/1' which seems likely to be the drawing that entered Denon's Collection. I thank Carole Blumenfeld for bringing this citation to my attention. Perrin Stein. Bibliography p.129 Geraldine Norman Investigative Sale Room Correspondent for The Times.London 1978a 'More than 30 *Fragonard* Deawings Maybe Fakes' and 'Fragonard Charm Inspired Copyists for 200 Years' Times (London) March 8, pp.1, 5. 1978b 'When a Fragonard Copy looks Fast too Good to be True Times (London) March 9, p.12 <> {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm } Lithographie en revers du Dessin originale de Fragonard vendu 1797 à Paris Pas Publié aux Monuments des Arts du Dessin. Existent seulement quelques exemplaires singulaires. En conséquent De la plus grande Rareté collection HELM&HELM sammlung CHRISTIE'S CATALOGUES LONDONSEO NEWYORKSEO SOTHEYBUY <>

After Jean-Honoré Fragonard . The Sultan , ca. 1816-26 Lithograph 14 1/2 x 11 in. (37x26cm) PROUTÉ COLLECTION . PARIS

Indeed Rosenberg supplied an important piece of evidence illuminating the work of the forger : a photograph of a rare lithograph showing Fragonard's composition in reverse.(Fig.3) <> PERRIN STEIN Frago Sultans JSTOR https://www.jstor.org/stable/25699108?read-now=1&seq=1#page_scan_tab_contents NOTES & BIBLIOGRAPHY

<> CHRISTIE'S CATALOGUES LONDONSEO NEWYORKSEO SOTHEYBUY <> MANHIGHM Full House MANNHEIM 2003 <> blogger augsthelm polygraphicae polygraf0700polygraph <> Fragonard père del. Tiré du Cabinet de Mr. Denon {Dn.F.} Da Ft. De Haute Curiosité ::: RRR <> <> <> AGEVIRTUEL sites.google.com/site/agevirtuel MaltaSEO https://web.archive.org/web/20201012195419/https://sites.google.com/site/maltaseo/lithographie NewYorkSEO sites.google.com/site/neuyorkseo LondonSEO sites.google.com/site/londraseo ParisSEO sites.google.com/site/0700polygraf Google1st sites.google.com/site/arthelmkunst/recherche-research artHELMkunst recherche::research https://0700polygraf.blogspot.com/2021/05/httpweb.html SALES&SERVICES https://sites.google.com/site/manhighm MANHIGHM Full House https://www.fotocommunity.de/photo/faces-coloured-art-heidelberg-ihk-1-ma-peter-a-helm/7821415 MÜNCHEN IHK AKADEMIE sites.google.com/site/0700monacodibaviera November 2002 Monaco di Baviera MANNHEIM Chambre de Commerce https://sites.google.com/site/manhighm/now-then Mai 2003 https://0700polygraf.blogspot.com/2023/03/perrin-stein-frago-sultans-jstor.html blogger augsthelm polygraphicae polygraf0700polygraph Fragonard père del. Tiré du Cabinet de Mr. Denon {Dn.F.} Da Ft. De Haute Curiosité ::: RRR Exemplaire de haute Curiosité. Notes by Perrin Stein Curator, Drawings&Prints The Metropolitan Museum of Art A Tale of Two Sultans Part I : Fragonard's Real & Fake Metropolitan Museum Journal 44, pp 121-129 ( 9 pages) New York 2009 p.121 ...indeed Rosenberg Paris 1987/88 New York supplied an important piece of evidence illuminating the work of the forger: a photograph of a rare lithograph showing Fragonard's composition in reverse (Fig.3) The lithograph had its origins in an ambitious publishing project undertaken in 1816 by Dominique-Vivant Denon who was a collector as well as an artist and curator and wished toward the end of his life to immortalize his collection through a set of prints [1816/307 lithographs). The resulting four-volume Monuments des Arts du Dessin chez les Peuples tant anciens que modernes, recueillies par le Baron Vivant Denon which included 307 plates, saw the light of day only in 1829 four years after Denon's death (6). Although the lithograph after Fragonard's Sultan drawing does not appear in the published volumes , it survives in a few loose examples, suggesting at that some point the intention was to include it (7). The lithograph itself need not have been seen in the Monuments des Arts du Dessin, however, for the names of the maker and the collector of the drawing to have been known: the lettering on the print identifies both the artist 'Fragonard père del.' [Fragonard the elder](8), {8}and the collection: 'Tiré du Cabinet de Mr. Denon' ( From the Collection of Monsieur Denon). Presumably using this lithograph as a model - for the dimensions of the motifs are identical - the forger cleverly created his drawing in reverse direction, perhaps with the aid of transmitted light (9) and added at the lower right a stamp (Fig.4) imitating Lugt 779 Denon (Fig.5) Note 7 p.128 In the Catalogue of the Denon Sale 1826, lot 729 - Fragonard's Sultan drawing was marked with an asterix, indicating that the sheet had been lithographed. Note 17 The catalogue of the Desmarets 'Cassation de Commerce' Sale, Paris, March 17, 1797 and days following (Lugt 5555) lists a framed drawing by Fragonard as lot 85 'Un Turc assis, dessin lavé au bistre, sur papier blanc - hauteur 14 pouces, largeur 10 pouces 1/1' which seems likely to be the drawing that entered Denon's Collection. I thank Carole Blumenfeld for bringing this citation to my attention. Perrin Stein. Bibliography p.129 Geraldine Norman Investigative Sale Room Correspondent for The Times.London 1978a 'More than 30 *Fragonard* Deawings Maybe Fakes' and 'Fragonard Charm Inspired Copyists for 200 Years' Times (London) March 8, pp.1, 5. 1978b 'When a Fragonard Copy looks Fast too Good to be True Times (London) March 9, p.12 <> {368x283mm TC / resp. 386x283mm avec la lettre / papier 470x330mm } Lithographie en revers du Dessin originale de Fragonard vendu 1797 à Paris Pas Publié aux Monuments des Arts du Dessin. Existent seulement quelques exemplaires singulaires. En conséquent De la plus grande Rareté collection HELM&HELM sammlung <> CHRISTIE'S CATALOGUES LONDONSEO NEWYORKSEO SOTHEYBUY <> Lit.: A Tale of Two Sultans Part II: The Materials and Techniques of an Original Drawing by Fragonard and a Copy MARJORIE SHELLEY Sherman Fairchield Conservator in Charge of Paper Conservation The Metropolitan Museum of Art. New York 2009 Metropolitan Museum Journal 44 p.136 It is indeed possible, as Stein writes the the copyist had the lithograph that {Vivant Denon (1747-1825)} Da Ft. see (Fig.3) made of A Seated Turc at his disposal to serve as a one-to-one model for the contours, as the two are identical in their taut draftmanship [13] <> NOTES p.137 12. Norman (1978b) reports that Ananoff repeated his claims regarding Fragonard's use of the tracing technique and the pantograph for changing scale in articles in Connaissance des arts (1956), Jardin des arts (1957), and La vitrine (1960) and in the introduction to volume I of his catalogue raisonné (1961). According to Norman , Ananoff was an editor at Larousse from the 1930's to the 1950's and also had a 'strong amateur interest in rocket propulsion and space travel.... M. Ananoff was self-taught as a scientist and as an art historian' She implies that he may have profited from selling copies of Fragonard drawings that he had published in his catalogue as autograph. Ananoff replied to her accusation in a letter to the editor of the London Times on April 25, 1978. <> NOTES p.137 13. The lithograph was issued prior to the availability of the type of paper used by the copyist, dismissing the possibility that the Baker drawing was by the same artist who executed the print. <> <> <> www.polygraficum.de peter august helm www.polygraphicum.de artHELMkunst recherche::research cf. Albert de La Fizelière 1873 271 PIÈCES LITHOGRAPHIQUES EXÉCUTÉES PAR VIVANT DENON {Da Ft.} Oeuvres Lithographiques du Baron Vivant Denon Paris.1873 CATALOGUE DES LITHOGRAPHIES EXÉCUTÉES PAR DENON D'APRÈS DES DESSINS DE SON CABINET ÉCOLE FRANCAISE p.74, No.239 Fragonard Un Turc assis
{Da Ft.}