300
William James Smith
(active c. 1825 London)
Young man seated with a game bag
Junger Mann mit der Jagdtasche
Jeune homme à la gibecière
Jonge Man met Weitasch
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
76x66 mm
After Rembrandt 1650 Bartsch Seidlitz 258
Daulby 238 A Young Man sitting in a chair
BB.Rej.45 By W.J.Smith s.d. 76x66
White-Boon PRINTS BY UNKNOWN PUPILS 1650
Not listed
Cf. SAUR BBI, Thieme-Becker
Cf. Nagler XIX, p.12
Cf. Wurzbach vol. II, p.450
Collection HELM&HELM Lindach
Polygraphicum10Smith300REMBRANDT&CO.2006.jpg
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°
°
301
William James Smith
(active c. 1825 London)
Snub-nosed man in a Cap: Bust
Brustbild eines bärtigen Mannes im Profil
Profil à barbe droite et bonnet
Profil met baard en muts naar rechts
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
47x39 mm
After Rembrandt 1631, probably genuine Bartsch Seidlitz 317
Daulby 295 Profile of a Man with a short thick beard
BB.Rej.57 By W.J.Smith s.d. 51x47
White-Boon Not listed
Cf. SAUR BBI, Thieme-Becker
Cf. Nagler XIX, p.12
Cf. Wurzbach vol. II, p.450
Collection HELM&HELM Lindach
Polygraphicum11Smith301REMBRANDT&CO.2006.jpg
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°
°
302
William James Smith
(active c. 1825 London)
A child asleep
Kopf eines schlafenden Kindes
Tête d'un enfant dormant
Kind slapend
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
38x40 mm
After Rembrandt or Lievens or S.Koninck.Undated
[Bartsch] Seidlitz 395 Illustration R.991 38:40 mm
Daulby 310 A Young Man sleeping (not mentioned by Bartsch)
Hind 385 Münz 280
BB.Rej.97 By W.J.Smith s.d. 37x40
White-Boon S 395 PRINTS NOT MENTIONED BY BARTSCH-PRINTS BY UNKNOWN PUPILS
citing this version in same direction (37x40)
Cf. SAUR BBI, Thieme-Becker
Cf. Nagler XIX, p.12
Cf. Wurzbach vol. II, p.450
Collection HELM&HELM Lindach
Polygraphicum12Smith302REMBRANDT&CO.2006.jpg
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°
°
303
William James Smith
(active c. 1825 London)
Old Man with a snub nose
Kopf eines Alten nach links
Tête d'un Vieillard à gauche
Profil van Oude Man
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
27x21 mm
After Rembrandt c.1631
[Bartsch] Seidlitz ]
Illustration Rovinski 991 38:40 mm
Daulby [...] A small head of a Man not described in either Catalogue
Hind 389 (1631) Münz 29 (1628/29)
BB.31-21 By W.J.Smith s.d. 27x20
White-Boon S 399 PRINTS NOT MENTIONED BY BARTSCH
citing W.J.Smith,1824,this version in same direction (27x20)
Cf. SAUR BBI, Thieme-Becker
Cf. Nagler XIX, p.12
Cf. Wurzbach vol. II, p.450
Collection HELM&HELM Lindach
Polygraphicum13Smith303REMBRANDT&CO.2006.jpg
°
°
°
°
°
[304]
°
Sammlung Peter A. Helm
Polygraphicum304REMBRANDT&CO.2006.jpg
°
°
°
°
305
Smith...
.........George Smith of Chichester (1714 - Chichester/Sussex - 7.9.1776) and/or
............John Smith of Chichester (1717 - Chichester/Sussex - 1769)
............Landscape with Trees Farm Buildings and a Tower
............Die Landschaft mit dem Turm
............Paysage à la tour
............Landschap met den Toren
............Fazendas e torres cercadas de árvores
............Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
............118x316 mm
............After Rembrandt c.1651 Bartsch Seidlitz 223 Very deceptive
............White-Boon No.4 J.Smith of Chichester in reverse Museum Amsterdam
............Seidlitz erroneously Illustration B.221
............Published by J.Boydell.London 1770
............Cf. Wurzbach vol. II, p. 450
............Cf. SAUR AKL, Thieme-Becker, Nagler etc.
............Collection HELM&HELM Lindach
............Polygraphicum1SmithofChichester305REMBRANDT&CO.2006.jpg
°
°
°
°
°
[306]
Sammlung Peter A. Helm
Polygraphicum306REMBRANDT&CO.2006.jpg
°
°
°
°
°
307
..Smith..
.............George Smith of Chichester
.............(1714 - Chichester/Sussex - 7.9.1766) and/or
.............John Smith of Chichester (1717 - Chichester/Sussex - 1769)
.............Landscape with a Cottage and Haybarn : Oblong
.............Die Hütte und der Heuschober
.............La chaumière et la grange à foin
.............Landschap met Boerenhuis en Hooiberg
.............Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
.............118x316 mm
.............After Rembrandt 1641 Bartsch Seidlitz 225 Extremely deceptive
................B.225 and 226 seem companions.If 226 is the finer in design, 225 is the more brilliant as an etching...(Binyon)
.............White-Boon No.5 J.Smith of Chichester in reverse [No location]
.............Published by J.Boydell.London 1770
.............Cf. Wurzbach vol. II , p. 450
.............Cf. Karl&Faber.München 5/1978 A 147 Lot 340
.............Cf. Winterberg.Heidelberg 4/2004 A 69
.............Collection HELM&HELM Lindach
.............Polygraphicum2SmithofChichester307REMBRANDT&CO.2006.jpg
°
°
°
308 a
PAH.
...........P.A.H. Landschaft mit Hütte und Heuschober : Querformat
...........1975
...........Nach Radierung Rembrandt 1641 Bartsch 225 seitenrichtig
...........Federzeichnung.Tusche.Nicht voll ausgeführt. [Detail links]
...........118x316 mm
...........
...........Collection HELM&HELM Lindach
...........Polygraphicum1PAH308aREMBRANDT&CO.2006.B225.jpg
°
°
°
308 b
PPAH.
..........P.A.H. Landschaft mit Hütte und Heuschober : Querformat
..........1975
..........Nach Radierung Rembrandt 1641 Bartsch 225 seitenrichtig
..........Federzeichnung.Tusche.Nicht voll ausgeführt [Detail rechts]
..........118x316 mm
..........Sammlung HELM&HELM Lindach
..........Polygraphicum2PAH308bREMBRANDT&CO.2006.B225.jpg
°
°
°
309
Smith..
........ George Smith of Chichester
............(1714 Chichester/Sussex - 7.9.1766) and/or
............John Smith of Chichester (1717 Chichester/Sussex - 1769)
............Landscape with a Cottage and a large Tree
............Die Hütte bei dem großen Baum
............La chaumière au grand arbre
............Landschap met den hoogen Boom voor de Boerenwoning
............Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
............128x316 mm
............After Rembrandt 1641 Bartsch Seidlitz 226 Extremely deceptive
...............B.225 and 226 seem companions. If 226 is the finer design, 225 is the more brilliant as an etching...(Binyon)
............White-Boon No.3 J.Smith of Chichester in reverse Amsterdam.London
............Published by J.Boydell.London 1770
............Cf. SAUR AKL,Thieme-Becker, Nagler etc.
............Collection HELM&HELM Lindach
............Polygraphicum3SmithofChichester309REMBRANDT&CO.2006.jpg
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°
°
310
Smith...
............George Smith of Chichester
............(1714 - Chichester/Sussex - 7.9.1776) and/or
............John Smith of Chichester (1717 - Chichester/Sussex - 1769)
............The Windmill
............Die Windmühle
............Le moulin
............De Molen op het Bolwerk de Passeerder
............O moinho
............Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
............147x207 mm
............After Rembrandt 1641 Bartsch Seidlitz 233
...............An accident in the biting apparently is the cause of an aquatint-like broken tone of gray in the sky above the mill;
............but it comes with congruous effect, and is rather a beauty than a blemish...(Binyon)
............White Boon No.6 J.Smith of Chichester in reverse Amsterdam.London
............Published by J.Boydell.London 1770
............Cf. SAUR AKL, Thieme-Becker, Nagler etc.
............Sammlung HELM&HELM Lindach
............Polygraphicum4SmithofChichester310REMBRANDT&CO.2006.jpg
°
°
°
°
°
311
PIERRE-LOUIS SURUGUE
(10.2.1716 - Paris - 29.4.1772)
Le Père de Rembrandt peint par son fils, tiré du Cabinet de Monsieur le Comte de Vence
1769
Engraving on copper.Gravure sur cuivre.Gravur.Incisione su rame.Kupferstich
Folio
Peint par Rembrandt - Gravé par Surugue fils. Graveur du Roi 1769
AParis chez l'auteur rue des Noyers la porte Cocher á côté du Magazin de Papier A.P.D.R.
Cf. SAUR BBI, Thieme-Becker,
Andresen,Basan,Bourcard,Bryan,Fuessli, Huber-Rost, Le Blanc, Nagler, Portalis-Béraldi
Collection HELM&HELM Lindach
Polygraphicum1Surugue311REMBRANDT&CO.2006.jpg
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311a
Gian Domenico Tiepolo
(30.8.1727 - Venezia -3.3.1804)
VIA CRUCIS
Set of 16 etchings comprising title and dedication plate
This Suite dedicated to Alvise Cornaro was etched by Giovanni Domenico Tiepolo after his paintings for the
Oratorio del Crocifisso di Chiesa S.Paolo a Venezia in the years 1748-49
Plate No.3
Stazione I.
GESU`CONDANNATO A MORTE.
Gesu vita immortal d'ogni Vivente,
per salvar l'Uomo, al suo morir consente.
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
c.214x182 mm plate, 185x175 mm subject.TC
Cf. SAUR BBI (AKL), Thieme-Becker, Nagler etc.
Provenance: Collection William Korn Baden-Baden
Sammlung HELM&HELM Lindach
Polygraphicum1GDTiepolo311aREMBRANDT&CO.2006.html
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312
JAN GEORG (JORIS) VAN VLIET
(Delft or Leiden about 1610 - after 1635 Delft ?)
By. t.geeve Bestaet Ons Leeve
Im Geben besteht unser Leben
Set of 8 (10) Beggars (incl. pictorial title-page) JG.Van Vliet fec. 1632
Pictorial Title page
Two lame Beggars receiving gifts from a Man
Zwei Lahme welchen ein Mann Almosen reicht
1632 (active c. 1631-35)
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
c.85x45 mm
Cf. Nagler 73-82
Cf. Wurzbach vol.I, p.112
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum1VanVliet312REMBRANDT&CO.2006.jpg
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°
°
°
°
313, 314, 315
JAN GEORG (JORIS) VAN VLIET
(Delft or Leiden about 1610 - after 1635 Delft ?)
Beggars 2,3,4 from the Set Nagler 73-82 Dated 1632 (Titlepage)
Each c.85x45 mm with margins and signed in plate upper right JG(ligated) van vliet inv
.
Quacksalver sitting and appraising..............................................................................Beggar with wooden leg leaning on sticks.....................................................Beggar sitting and seen from behind
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
Cf.SAUR BBI, Thieme-Becker, Nagler,Wurzbach etc.
Collection HELM&HELM Lindach
Polygraphicum2-4VanVliet313-315REMBRANDT&CO.2006.jpg
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°
316, 317, 318
JAN GEORG (JORIS) VAN VLIET
(Delft or Leiden about 1610 - after 1635 Delft ?)
Beggars 5,6,7 from the Set Nagler 73-82 dated 1632 (Titlepage)
Each 85x45 mm and signed (except plate 7) in upper right JG (ligated) van vliet inv.
Beggar walking with a stick : to the right..................................................................Beggar standing barefooted : vue en face.............................................................The Ratcatcher or poison & trap seller
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
Cf. SAUR BBI, Thieme-Becker, Nagler, Wurzbach etc.
Collection HELM&HELM Lindach
Polygraphicum5-7VanVliet316-318REMBRANDT&CO.2006.jpg
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°
319
JAN GEORG (JORIS) VAN VLIET
(Delft or Leiden about 1610 - after 1635 Delft ?)
Beggar on sticks seen from behind
Beggar 8 from the Set Nagler 73-82 Signed in upper right JG (ligated) van vliet inv.
1632. Active c.1631-1635
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
c.85x45 mm
Cf. Nagler 73-82
Cf. SAUR BBI, Thieme-Becker,Nagler etc.
Collection HELM&HELM Lindach
Polygraphicum8VanVliet319REMBRANDT&CO.2006.jpg
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°
FRANCOIS VIVARES
WB 129,133,163,164,173,190
°
320
FRANCOIS VIVARES
(St.Jean de Bruel or Lodève/Montpellier 1709-1780 or 1782 London)
The Quacksalver
Der Quacksalber
Le Charlatan
Kwakzalver
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
78x50 mm
After Rembrandt 1635 Bartsch Seidlitz 129
White Boon No.6 Vivares (no.1) in reverse (78x50) Signed: F.V.fecit. Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum1Vivares320REMBRANDT&CO.2006.jpg
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°
°
321
FRANCOIS VIVARES
(St. Jean de Bruel or Lodève/Montpellier 1709-1780 or 1782 London)
A Peasant in a high cap,standing leaning on a stick
Jude in hoher Mütze
Juif à grand bonnet
Bedelaar
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
79x53 mm
After Rembrandt 1639 Bartsch Seidlitz 133
White Boon No.3 Vivares (no.4) in reverse (79x53) (200 etchings) Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum2Vivares321REMBRANDT&CO.2006.jpg
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°
322
FRANCOIS VIVARES
(St.Jean de Bruel or Lodève/Montpellier 1709-1780 or 1782 London)
Beggar leaning on a stick, facing left
Stehender Bettler nach links in Mütze mit Ohrklappen
Gueux debout
Bedelaar
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
78x54 mm
After Rembrandt c.1630 Bartsch Seidlitz 163
White Boon No.1 Vivares (no.6) in reverse (78x54) (200 etchings)
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum3Vivares322REMBRANDT&CO.2006.jpg
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°
°
323
FRANCOIS VIVARES
(St.Jean de Bruel or Lodève/Montpellier 1709-1780 or 1782 London)
Beggar Man and Beggar Woman conversing
Bettler und Bettlerin in Unterhaltung
Gueux et Gueuse
Bedelaar en Vrouw
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
79x52 mm
After Rembrandt 1630 Bartsch Seidlitz 164
White Boon No.5 Vivares, in reverse (79x52) Signed: F.V.fecit. RHL 1630 (200 Etchings) Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum4Vivares323REMBRANDT&CO.2006.jpg
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°
°
324
FRANCOIS VIVARES
(St.Jean de Bruel or Lodève/Montpellier 1709-1780 or 1782 London)
Beggar seated warming his hands at a chafing dish
Der Bettler mit der Glutpfanne
Gueux se chauffant les mains
Bedelaar
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
79x53 mm
After Rembrandt c.1630 Bartsch Seidlitz 173
White Boon No.2 Vivares[5] in reverse (79x53) (200 Etchings) no location
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum5Vivares324REMBRANDT&CO.2006.jpg
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°
°
325
FRANCOIS VIVARES
(1709-1780)
A Man making water
Der pissende Mann
L'Homme qui pisse
Pissende Man
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
84x49 mm
After Rembrandt 1631 Bartsch Seidlitz 190
Blanc 155. Listed in Seidlitz's concordance erroneously as Blanc 153
White Boon No.4 Vivares (no.3) in reverse (84x49) Signed:R 1631 f.V fecit. Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Cf. Wurzbach vol. II, p. 452
Collection HELM&HELM Lindach
Polygraphicum6Vivares325REMBRANDT&CO.2006.jpg
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°
°
°
°
326
Watelet...
................Claude Henri Watelet
................(28.8.1718 - Paris - 12.1.1786)
................Tête de Joseph
................Kopfstudie Josefs
................Head of Joseph
................Etching and Engraving c.1760
................After lost painting by Jean Baptiste Deshayes (Boucher's son in law)
................Published & Printed by Basan.Paris c. 1800
................Cf. REGENCY TO EMPIRE French Printmaking 1715-1814 Baltimore.Boston.Minneapolis 1985, p.192-193
................Cf. SAUR BBI, Thieme-Becker etc.
................Cf. Wurzbach vol. II, p.452
................Collection HELM&HELM Lindach
................Polygraphicum1Watelet326REMBRANDT&CO.2006.jpg
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°
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327
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Self Portrait leaning on a stone sill
Selbstbildnis mit dem aufgelehnten Arm
Rembrandt appuyé
Zelfportret met den Arm op de Muur
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
158x135 mm
Signed upper right: Ths.Worlidge after Rembrandt
After Rembrandt 1639 Bartsch Seidlitz 21
White Boon No.7 Worlidge (no.2) in reverse (158x135) Cambridge
Nagler 5
Cf. Wurzbach vol. II, p. 453
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum1Worlidge327REMBRANDT&CO.2006.jpg
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°
°
°
°
328
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Adam casting out Hagar and Ishmahel
Hagars Verstoßung
Agar renvoyée par Abraham
De Uitleiding van Hagar
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
124x98 mm
After Rembrandt 1637 Bartsch Seidlitz 30
White Boon No.8 Worlidge (no.29) in same direction (124x98) London
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum2Worlidge328REMBRANDT&CO.2006.jpg
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°
°
°
°
329
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
St. Jerome reading
Der heilige Hieronymus am Fuß eines Baumes lesend
St. Jérôme lisant au pied d'un arbre
Lezende St. Hieronymus
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
125x96 mm
After Rembrandt 1634 Bartsch Seidlitz 100
White Boon No.2 Worlidge in reverse (125x96, subject 107x87) Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum3Worlidge329REMBRANDT&CO.2006.jpg
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°
°
°
°
330
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Beggar seated on a bank
Auf einem Erdhügel sitzender Bettler
Gueux assis sur une motte de terre
Bedelaar
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
116x73 mm
After Rembrandt 1630 Bartsch Seidlitz 174
White Boon No.4 Worlidge (no.14) in reverse (116x73) Signed: Rembrandt 1630 Amsterdam & London
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum4Worlidge330REMBRANDT&CO.2006.jpg
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°
°
°
°
331
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old bearded man in a high fur cap ,with eyes closed
Niederblickender Greis in hoher Fellmütze
Vieillard à grand bonnet, qui dort
Oud Man met grooten Baard
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
116x103 mm
After Rembrandt 1635 Bartsch Seidlitz 290
Bartsch: Vieillard à grande barbe
White Boon No.1 Worlidge in same direction (116x103) Signed: T.W. Cambridge
Nagler 13
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum5Worlidge331REMBRANDT&CO.2006.jpg
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°
°
°
°
°
332
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Self Portrait in a cap, open-mouthed
Rembrandt mit aufgerissnen Augen
Rembrandt aux yeux hagards
Zelfportret
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
80x63 mm
After Rembrandt 1630 Bartsch Seidlitz 320
Bartsch: Tête d'homme avec bonnet coupé
White Boon No.2 Worlidge in same reverse (80x63) Signed: top left. Amsterdam
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum6Worlidge332REMBRANDT&CO.2006.jpg
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°
°
°
°
333
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old bearded man in a turban to the right
Der Perser
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
116x103 mm
Nagler 26 , gr.8°
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum7Worlidge333REMBRANDT&CO.2006.jpg
°
°
°
°
°
334
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old bearded man in a plummed cap :Bust
Männliches Brustbild mit vier Federn auf dem Hut und einer Schärpe um den Leib
1751
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
116x103 mm
Nagler 11
Heller-Andresen 11
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum8Worlidge334REMBRANDT&CO.2006.jpg
°
°
°
°
°
335
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded man in a high fur capped turban
1750
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
116x103 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum9Worlidge335REMBRANDT&CO.2006.jpg
°
°
°
°
°
336
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Portrait Sir James Thornhill about 1730
Bildnis Sir James Thornhill um 1730
Contrefait Sir James Thornhill vers 1730
Ritratto Sir James Thornhill c.1730
1754
Dack 217
Heller-Andresen 3
cf. SAUR BBI, Thieme-Becker etc.
cf. Katalog Röver In Rembrandts Manier.Kunsthalle Bremen.Bremen 1986/87 Illustration
Collection HELM&HELM Lindach
Polygraphicum10Worlidge336REMBRANDT&CO.2006.jpg
°
°
°
°
°
337
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Mahomet, a Turkish Merchant
Taken by the Corsairs,made a Slave at Malta,Escaped in a Dutch Vessel,from thence came to England
Muhamed, ein türkischer Händler,
versklavt auf Malta, floh auf einem Holländischen Schiff ,kam so nach England
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
192x142 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum11Worlidge337REMBRANDT&CO.2006.jpg
°
°
°
°
°
338
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Hamet , companion to Mahomet,Taken Prisoner, & Escaped with him
Hamet, der Gefährte Muhameds
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
190x140 mm
Nagler 27 Seltenes Blatt
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum12Worlidge338REMBRANDT&CO.2006.jpg
°
°
°
°
°
339
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old Man to the right: Bust
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
80x66 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum13Worlidge339REMBRANDT&CO.2006.jpg
°
°
°
°
°
340
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
MR. GARRICK , in the Character of TANCRED
Garrick als Tancred
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
160x125 mm
Painted,Etched & Sold by Tho.Worlidge, at his House in the little Piazza Covent Garden
Nagler 7
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum14Worlidge340REMBRANDT&CO.2006.jpg
°
°
°
°
°
341
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Man with a high cap and fur-coat
1755
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
83x72 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum15Worlidge341REMBRANDT&CO.2006.jpg
°
°
°
°
°
342
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Portrait of a young Man sitting at a table and reading books
Ein junger Mann vor dem Tische , auf welchem Bücher liegen
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
192x142 mm
Etched from an original Painting of Rembrandt,now in the Collection of Mr.Huson of Great Queen Street
By T:Worlidge Portrait Painter,in the Piazza Covent Garden
Nagler 18
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum16Worlidge342REMBRANDT&CO.2006.jpg
°
°
°
°
°
343
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded Man with fur collar:Bust
1751
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
121x96 mm
Signed lower right: T W 1751
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum17Worlidge343REMBRANDT&CO.2006.jpg
°
°
°
°
°
344
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
A Lady , fur coated and plummed hat
1753
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
192x153 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum18Worlidge344REMBRANDT&CO.2006.jpg
°
°
°
°
°
345
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
The Organ grinder
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
110x80 mm
After Ostade
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum19Worlidge345REMBRANDT&CO.2006.jpg
°
°
°
°
°
346
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded Man ,fur collared : Bust to the left
1752
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
122x97 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum20Worlidge346REMBRANDT&CO.2006.jpg
°
°
°
°
°
347
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Rembrandt self portrait:Bust
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
208x160 mm
Rembrandt's head by himself,
Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle
by Thos.Worlidge Painter in Bath
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum21Worlidge347REMBRANDT&CO.2006.jpg
°
°
°
°
°
348
THOMAS WORLIDGE
Bearded Man furred white collar and hat: Bust
1751
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
120x97 mm
Cf. SAUR AKL, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum22Worlidge348REMBRANDT&CO.2006.jpg
°
°
°
°
°
349
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Sir Jacob Astley
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
162x130 mm
Published Aug.1827(From a Plate by Worlidge) by T&H Rodd.17.Little Newport St.Leicester Sq. Proof
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum23Worlidge349REMBRANDT&CO.2006.jpg
°
°
°
°
°
350
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bust of a Young Man looking down to the right
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
190x142 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum24Worlidge350REMBRANDT&CO.2006.jpg
°
°
°
°
°
351
[THOMAS WORLIDGE]
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
GEORGE POWLE
(active London c.1750/1777)
Three figures at candle light with a sheet of paper
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
145x168 mm
Drawn & Etched by G.Powle.from an Original Painting by Schalken.in the Possession of Mr.Day of Oxford
Cf. SAUR BBI, Thieme-Becker, Foskett,Grant,Mallalieu,Schidlof etc.
Cf.Nagler XIII, p.209 Wir kennen von ihm ein Blatt nach Thomas Worlidge, die Erschaffung der Welt vorstellend
George Powle.London.Pupil of Thomas Worlidge.Portrait miniaturist,copper engraver,master draughtsman.Exhibited 1764/70
Cf.Dictionary of National Biography 46 (1896)
Cf.Bryan's Dictionary of Painters IV (1904)
Cf. Catalogue of engraved British Portraits.British Museum 6 (1925) 530,665
Collection HELM&HELM Lindach
Polygraphicum25Worlidge.Powle351REMBRANDT&CO.2006.jpg
°
°
°
°
°
352
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
The Last Supper
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
290x161 mm
Proof
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum26Worlidge352REMBRANDT&CO.2006.jpg
°
°
°
°
°
353
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Angel:Bust to the right
1753
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
130x100 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum27Worlidge353REMBRANDT&CO.2006.jpg
°
°
°
°
°
354
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Naked Man bound to a palisade and tortured by fire
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
193x150 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum28Worlidge354REMBRANDT&CO.2006.jpg
°
°
°
°
°
355
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Winged Genius
Ein geflügelter Genius
Circle lined
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
35x35 mm
Nagler 25 Ein geflügelter Genius, 8°
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum29Worlidge355REMBRANDT&CO.2006.jpg
°
°
°
°
°
356
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Preacher Man white collared and fur coated with flat cap:Bust to the left
Halbe Figur eines Geistlichen mit krausen Haaren, nach links
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
160x125 mm
Signed upper left: T.W.
Nagler 10 Oben T.W. , 8°
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum30Worlidge356REMBRANDT&CO.2006.jpg
°
°
°
°
°
357
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded Man with a large plummed hat and wide coat: Bust to the left
Halbe Figur eines jungen Mannes mit Federhut, Handschuhen und Mantel
1752
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
195x142 mm
Signed:Thos.Worlidge Fecit 1758
Heller-Andresen 14 Er hält in der rechten Hand einen Sack 1752
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum31Worlidge357REMBRANDT&CO.2006.jpg
°
°
°
°
°
358
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded Man with a furred robe: Bust to the right
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
80x65 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum32Worlidge358REMBRANDT&CO.2006.jpg
°
°
°
°
°
359
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Biblical scene with two figures at a fire-place
1753
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
195x155 mm
Signed upper left: T.Worlidge 1753
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum33Worlidge359REMBRANDT&CO.2006.jpg
°
°
°
°
°
360
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Heads of two women
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
80x70 mm
Signed lower right: T.W. 1762
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum34Worlidge360REMBRANDT&CO.2006.jpg
°
°
°
°
°
361
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Bearded Man with white collar and furred coat: Bust to the right
1751
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
192x144 mm
Signed upper left: Thos. Worlidge Fecit 1751
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum35Worlidge361REMBRANDT&CO.2006.jpg
°
°
°
°
°
362
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Head of an Old Man with a long beard looking down: En face
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
50x52 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum36Worlidge362REMBRANDT&CO.2006.jpg
°
°
°
°
°
363
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Moustached Man with large plummed hat,white collar and furred coat: Bust to the right
Brustbild eines Mannes im Pelzmantel, mit Stutzbart und einer Feder auf dem Hut
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
163x127 mm
Nagler 12
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum37Worlidge363REMBRANDT&CO.2006.jpg
°
°
°
°
°
364
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Anatomical study of a bare-headed Man with one arm raised seen from behind
Die Zeichenakademie (?)
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
290x188 mm
Nagler 23 (?) , Die Zeichenakademie ,4°
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum38Worlidge364REMBRANDT&CO.2006.jpg
°
°
°
°
°
365
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Beggar with cap leaning on sticks to the left
Ein Bettler mit zwei Krücken gehend
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
152x114 mm
Nagler 24
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum39Worlidge365REMBRANDT&CO.2006.jpg
°
°
°
°
°
366
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old Man with high cap and torn coat: en face
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
57x53 mm
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum40Worlidge366REMBRANDT&CO.2006.jpg
°
°
°
°
°
367
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Young Lady looking down: Bust to the left
Büste einer jungen Frau mit Schleier um den Kopf
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
123x98 mm
Nagler 16 Rechts unten T W. 1751 , 8°
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum41Worlidge367REMBRANDT&CO.2006.jpg
°
°
°
°
°
368
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
John Evelyn Esqr.
1753
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
140x95 mm (subject 126x95)
Signed right: Thos.Worlidge Fecit 1753
Nagler 4 John Evelyn, für dessen Sculptura etc. The second Edition.London 1755. 69
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum42Worlidge368REMBRANDT&CO.2006.jpg
°
°
°
°
°
369
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Old Woman with large head-dress and white collar: Bust to the left (Rembrandts mother?)
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
92x76 mm
Signed lower left: TW
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum43Worlidge369REMBRANDT&CO.2006.jpg
°
°
°
°
°
370
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
GEORGE POWLE
(active London c. 1750/1777)
Biblical scene with Godfather and Angels above clouds in style of a ceiling: half round
Die Erschaffung der Welt (?)
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
107x217 mm
Etched Imprint lower right: T.Worlidge invenit Direction to Act of Parliament
Cf. Nagler XIII, p.209 Wir kennen von ihm ein Blatt nach Th. Worlidge, die Erschaffung der Welt vorstellend
Cf. SAUR BBI, Thieme-Becker, Foskett, Grant, Mallalieu, Schidloff etc.
George Powle.London.Pupil of Thomas Worlidge.Portrait miniaturist.Copper engraver, master draughtsman.Exhibited 1764/70
Cf. Dictionary of National Biography 46 (1896)
Cf. Bryan's Dictionary of Painters IV (1904)
Catalogue of engraved British Portraits .British Museum 6 (1925) 530, 665
Collection HELM&HELM Lindach
Polygraphicum44Worlidge370REMBRANDT&CO.2006.jpg
°
°
°
°
°
371
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
The Bautiful(l) DROMEDARY from Grand Cairo (Cario sic!) in EGYPT
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
187x267 mm (subject 181x267)
Signed upper right: Thos.Worlidge fecit
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum45Worlidge371REMBRANDT&CO.2006.jpg
°
°
°
°
°
372
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Sophonisba Anguiscola in her studio,painting: En face
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
188x151 mm (subject 166x125)
Cf. SAUR BBI, Thieme-Becker etc
Cf. Katalog Es muß nicht immer Rembrandt sein KHI München.
Collection HELM&HELM Lindach
Polygraphicum46Worlidge372REMBRANDT&CO.2006.jpg
°
°
°
°
°
373
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Portrait of a Man with moustache and furred coat: Half Bust to the left
1754
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
129x100 mm
Signed upper left: Thos.Worlidge Fecit 1754
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum47Worlidge373REMBRANDT&CO.2006.jpg
°
°
°
°
°
374
THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Portrait of a young Man with curly hair : Bust to the right
1754
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
130x100 mm
Signed upper left: Thos.Worlidge Fecit 1754
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum48Worlidge374REMBRANDT&CO.2006.jpg
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THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Cleopatra with the snake : Buste en face
Circular
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
187x149 mm (subject diameter 141x148)
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum49Worlidge375REMBRANDT&CO.2006.jpg
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THOMAS WORLIDGE
(Peterborough/Cambridgeshire or Northamptonshire 1700 - 22.9/23.9.1766 Hammersmith/London)
Portrait of a young woman reading in a book: Half Bust en face (Holy St.Magdalen?)
Acquaforte.Água-forte.Aguafuerte.Akwaforta.Eau-forte.Etching.Etsen.Radierung
165x138 mm
Signed upper left:Thos.Worlidge Fecit
Cf. SAUR BBI, Thieme-Becker etc.
Collection HELM&HELM Lindach
Polygraphicum50Worlidge376REMBRANDT&CO.2006.jpg
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376 a,b,c,d,e,f,g,h
THOMAS WORLIDGE Gems Etched in the manner of Rembrandt
Cf. ADDENDA & CORRIGENDA
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Sammlung Peter A. Helm
PolygraphicumGemsWorlidge376a-hREMBRANDT&CO.2006.jpg
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ANONYMOUS
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Sammlung Peter A. Helm
Polygraphicum377REMBRANDT&CO.2006.jpg
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378
...............................................PAH...
...............................................................................................................................................................P.A.H.
........................................................................................................................................................Die Drei Bäume
........................................................................................................................................................TheThree Trees
.....................................................................................................................................(Approaching Storm - St.Anthoniesdijk)
................................................................................................................................................................1976
.............................................................................................................................Nach Radierung Rembrandt 1643 Bartsch Seidlitz 212
......................................................................................................................................Federzeichnung.Tusche.Seitenrichtig 1976
..........................................................................................................................................................210x280 mm
...........Cf. Sothebys The Dr. Otto Schäfer Collection of Rembrandt Etchings .New York Sale 13.5.1993 Lot 63 Rembrandt B.212 Ex coll. D.Artaria (L.34) and d'Arenberg (L.567) Estimate $90-140.000
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.........................................................................................................................................Sammlung HELM&HELM Lindach
.........................................................................................................................Polygraphicum2PAH378REMBRANDT&CO.2006.B212.jpg
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........................................................................................................http://www.polygraphicum.de Peter Augustus Helm http://www.he1m-eberbach.com
..............................................................................................................................................REMBRANDT&CO 2006
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379
........................................................................
.............................................................................................................Rembrandt Selbst
.......................................................................................................................................Radierung nach dem Gemälde in Wien.
.....................................................................................................................................................Edinburgh 1886
..........................................................................................................................................WILLIAM BRASSEY HOLE R.A.
.................................................................................................................................(Salisbury 7.11.1846 - 22.10.1917 Edinburgh)
...............................................................................................................Als Radierer hat Hole vielfach nach eigenen Vorlagen gearbeitet
.................................................................................................und ist als solcher zuerst mit seiner anläßlich des Edinburgh Universitätsjubiläum (1885)
..........................................................................................................erschienenen Bildnisfolge "Quasi Cursores" an die Öffentlichkeit getreten.
.......................................................................................................................Am bekanntesten sind seine Radierungen in W.E.Henley.
........................................................................................................Katalog der Edinburgh-Leihausstellung Französische und Holländische Kunst (1886)
...........................................................................................................Arbeiten, deren an Schabkunst Blätter erinnernde Weichheit mit dem feinsten
...............................................................................................................Verständnis für den Geist und Charakter der Meisterwerke und liebevollem
.............................................................................................................Eingehen auf deren koloristische Feinheiten wetteifert (B.C.KREPLIN 1924)
...................................................................................................................................Cf. SAUR BBI, Thieme-Becker, Graves etc.
........................................................................................................................Cf. Vapereau Dictionnaire géneral des Contemporains 1893
...............................................................................................................................................Caw Scottish Painting 1908
...................................................................................................................................Sketchley Book Illustration of to-day 1903
....................................................................................................................Cf. Catalogue Exhibition Royal Academy.London 1905, 1908-10
................................................................................................................Catalogue National Gallery of Scotland .Edinburgh 1920, p.340 , 359 f.
........................................................................................................................................Sammlung HELM&HELM Lindach
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380
...................................................................PAH..
...........................................................................................................................................................P.A.H.
......................................................................................................................................Rembrandts Sohn Titus am Schreibpult
....................................................................................................................................Nach Rembrandt 1655 Gemälde Bredius Nr.
.................................................................................................................................Museum Boijmans van Beuningen.Rotterdam
.....................................................................................................................................................Öl/Leinwand 1978
........................................................................................................................................Sammlung HELM&HELM Lindach
............................................................................................................................Polygraphicum3PAH380REMBRANDT&CO.2006.Titus.jpg
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..................................................................................................... ......LINK.ASKI Mirjam Neumeister Kulturberichte (Archiv) 1/2003
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...........................................................................................................Cf.Maria Schmitz Neue Solidarität 10/2003.
...........................................................................................................Rembrandt,RembrandtExpo KYOTO/FRANKFURT/MAIN 2003
...........................................................................................................50 Exponate aus den bedeutendsten Museen und Privat-Sammlungen weltweit
...........................................................................................................Geblieben war ihm sein Sohn Titus,der ihm immer wieder als Modell diente.
...........................................................................................................Das 1655 entstandene Gemälde Titus am Schreibpult
...........................................................................................................zeigt den vierzehnjährigen Jungen hinter einem hohen Schreibpult,
...........................................................................................................auf dem einige Bogen Papier liegen.
...........................................................................................................Er scheint gerade im Schreiben innezuhalten,
...........................................................................................................hält den Gänsekiel noch in der Hand
...........................................................................................................und blickt gedankenversunken in die Ferne.
...........................................................................................................Der leicht geöffnete Mund und der gegen die Wange gedrückte Daumen
...........................................................................................................verraten höchste Konzentration.
...........................................................................................................Die Augen scheinen gleichsam in die Ferne zu schweifen
...........................................................................................................und nach innen zu blicken.
...........................................................................................................Einfühlsamer ist nie zuvor ein Denkprozess sichtbar gemacht worden.
...........................................................................................................Hier ist nicht nur ein bestimmtes Kind dargestellt,
...........................................................................................................sondern der Inbegriff desLernenden
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°.......................................................................................................................................Denken ist interessanter als Wissen
........................................................................................................................................aber nicht als Anschauen.
.............................................................................................................................................................................................Goethe
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ADDENDA & CORRIGENDA :: Catalogue / Katalog Nos. / Nrn.482-500
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.........................................................................................................................he1m-eberbach.com Peter Augustus Helm polygraphicum.de
..............................................................................................................................................Rymbranesques 400
.............................................................................................................all rights strictly reserved
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..................................................................................................................EVERBEACH.
................................................................................................................EBERBACH DE
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