GEORGIANA CAVENDISH SPENCER . DUCHESS OF DEVONSHIRE: Passage of the Mountain of Saint Gothard A POEM by Georgiana Duchess of Devonshire ::: Passage du Mont Saint-Gothard POEME Paris (1816) Privately posthum published by Lady Elizabeth Foster ('Dearest Bess').Imprimerie Lithographique de Charles de Lasteyrie, rue du Bac N° 58, Text completely lithographed by Moulin (‘Moulin script.’)

GEORGIANA CAVENDISH SPENCER . DUCHESS OF DEVONSHIRE: Passage of the Mountain of Saint Gothard A POEM by Georgiana Duchess of Devonshire ::: Passage du Mont Saint-Gothard POEME Paris (1816) Privately posthum published by Lady Elizabeth Foster ('Dearest Bess').Imprimerie Lithographique de Charles de Lasteyrie, rue du Bac N° 58, Text completel lithographed by Moulin (‘Moulin script.’), in-4to, (312x235mm), 2 ll. (half-title & titlepage) and V (Épitre) (+ 1 p. (Envoi)) + 3 p. (blanc - fasc. of writing - Dedication to l’Abbé de Lille) + 44 p. (+ 1 p. blanc) + 20 lithographic plates, (printed entirely by lithographed stones), Full morocco, spine on 5 raised bands richly gilt, bookcovers with gilt frames & ornaments, guards of red silk, inside binding with richly gilt frame and elaborate ornaments on which is placed the bookplate in the middle, gilt edges. First illustrated edition, privately printed in unnumbered 50 copies only, with the 20 lithographic plates of views, 19 after paintings by Elizabeth Foster and 1 after Lady Blessington. Elizabeth Foster’s paintings (tody in the Morgan Library NYC) were re-drawn by J.E. Deshayes and Alexandre Pegnault for transfer to lithographic stones and it is Elizabeth Foster (her best friend) who almost certainly commissioned this lithographically illustrated edition. Comte de Lasteyrie, the printer (1759-1849), was one of the important pioneers of the art of lithography. Copies are known with the 2 portraits of Georgiana and Elizabeth, which are not included herein. The Duchess of Devonshire, Georgiana Cavendish (of Chatsworht, Derbyshire) made a Grand Tour with Lady Foster and they passed through Italy to Switzerland, writing this poem and making the paintings in 1793. The Duchess died in 1806; Elizabeth married the widowed Duke; and when the Duke died in 1811 Elizabeth moved to Italy until 1824. During 1818-1819, however, she lived in Paris and would have arranged for the printing of this work there, entirely in lithography. This Paris edition was printed in 50 copies only; it is one of the few poems in English to celebrate William Tell and one of the first English poems to praise Switzerland and popularise the Alps for the English tourist and artist. De Lasteyrie set up his lithographic press in Paris in 1816, he moved to rue du Bac 58 in June 1817.By 1825 Lasteyrie had moved to rue St. Marc no. 8. The original edition was first printed in the Morning Chronicle in 1799, the Duchess of Devonshire’s poem ‘The passage of the mountain of St. Gothard’ appears not to have been published in book form until 1802, at which time three editions appeared (in quarto, octavo and duodecimo), each of them printing Delille’s translation alongside the English text. The earliest of these is generally considered to be the quarto edition, all editions are unknown to Perret’s, ‘Guide des livres sur la montagne’ and are very rare indeed. * TRAVELOGUE.Maybe the pirst Paris printed book in Lithography,this is one of the earliest examples of lithographic printing, and also one of only two books of a literary nature printed entirely by lithography (text and plates) before 1830. You will find notes of the Duchess’s tour of Switzerland in De Beer, ‘Travellers in Switzerland‘ under 1792 and 1793. Collation of the views: 1) Magadine (lake and peaks) / 2) Tesino (road, river, peaks) / 3) Tesino (river and peaks) / 4) Première vue de St. Gothard (forested road into gorge) / 5) Dazio grande (bridge over rapids) / 6) Airolo (village, rapids and gorge) / 7) Tesino (gorge, river, bridge) / 8) Tesino (rocky gorge, bridge over rapids) / 9) Hospice / 10) Padre Lorenzo (this from a painting by Lady Blessington) / 11) Lac et Hospice / 12) Reuss / 13) Vallon d’Urseren / 14) Gallerie d’Urseren / 15) Pont du Diable / 16) Near Altdorf (path and river) / 17) Altdorf / 18) Chapelle de Guillaume Tell / 19) Uri at Schwitz (lake and peaks) / 20) Lucerne (rural view). Not in Perret -; cf. Charles Warren’s article “An Alpine bibliographical curiosity” in the Alpine Journal of 1984; de Beer, Travellers in Switzerland 1792 and 1793. ::::: For completely researched data see Michal Twyman EARLY LITHOGRAPHED BOOKS Cambridge University Press Early Lithographed Books 1.196 chapter 9 books with pictures p.166-173 ::::: cf. for instance par exemple zum beispiel peter helm exp kst value LADY CAVENDISH DUCHESS OF DEVONSHIRE : BOOK (1816) RRR CHARLES DE LASTEYRIE DU SAILLANT (1816) MICHAEL TWYMAN ELB Early Lithographed Books 1.196 chapter 9 books with pictures p.166-173 the first publication to be discussed here though the publication is undated, the address of its imprint 'Imprimerie Lithographique de C. de Lasteyrie rue du Bac No.58' suggests that it must have been printed between 1817 and 1825 an incomplete copy of the book in cambridge university library has a letterpress title-page dated 1816 such evidence , taken along with the style of the lithographic work, suggests a dating nearer 1817 than 1825 ² ² The British Library catalogues and H.W. Lowndes, The bibliographer's manual of English literature (revised by H.G.Bohn, London, 1864), both give the date of this lithographed edition as 1802. Such a date is quite out of the question. 1802 may have stemmed from a transposition of the last two digits of 1820, a date which would accord with lithographic evidence, or it may have been a straightforward confusion with an earlier letterpress edition. The Dictionary of National Biography gives the date as 1816. Both Lowndes and Martin, Bibliographical catalogue , claim that only fifty copies were printed and that they were not for sale PETER HELM SACHVERSTÄNDIGER KUNSTHÄNDLER 0700 PRINTS BVS G+ BVS art recherche PETER HELM research kunst KST 0700 EXP Sachverständige sind geradezu das Urbild eines freien Berufs TRANSATLANTIC www

EARLY LITHOGRAPHED BOOKS English Text. London, Ferrand Press & Private Libraries Association, 1990; hardback, pp. 374, 282 numbered b/w ill., 195x265 mm PROF. MICHAEL TWYMAN Bibliografische Details Early Lithographed Books. A study of the ... Verlag Bookpress Ltd Erscheinungsdatum: 1990 Einband: Hardcover

https://sites.google.com/view/he1m/home Sachverständige sind geradezu das Urbild eines freien Berufs https://web.archive.org/web/20091115161911/http://www.polygraphicum.de/refs.html

0700 TRANSATLANTIK TRANSFERS NYC RRR https://0700polygraf.blogspot.com/search?q=duchess+of+devonshire+gothard ::::: eberbach helm lindach ::: +49 6271 1387 ::: +49 6263 276 peter.helm@polygraphicum.net

0700 TRANSATLANTIK TRANSFERS NYC Duchess Georgiana’s poem, 'The Passage of the Mountain of St Gothard', was written when travelling back to England from her exile in Europe in the early 1790s. It was inspired by her experience of crossing the Saint Gotthard Pass in the Alps with Lady Elizabeth Foster in August 1793. Written at a time when the mountainous scenery of the Alps was regarded as alarming and exciting, but not something to be appreciated aesthetically, the Duchess’s poem makes it clear that she was one of the first to view the Alps as beautiful, as well as giving a graphic account of crossing the pass. The poem was first published in an unauthorised edition in 1799, and subsequently appeared in several other editions, including in French and Italian translations. Samuel Taylor Coleridge admired the poem, writing one of his own in response: 'Ode to Georgiana, Duchess of Devonshire'. The image shown here is taken from a posthumous edition of c.1816. The poem was completely printed in lithography illustrated with early lithographed plates. On our opinion most probably the first lithographic printed book in France. cf. TWYMAN EARLY LITHOGRAPHED BOOKS https://web.archive.org/web/20091116081143/http://www.polygraphicum.de/alpen.html ALPEN ALPI ALPES ALPS https://web.archive.org/web/20100315173729/http://www.polygraphicum.de/Lithographie.html https://0700polygraf.blogspot.com/search?q=duchess+of+devonshire+gothard REFS https://web.archive.org/web/20091115161911/http://www.polygraphicum.de/refs.html https://sites.google.com/view/transatlantic-at-the-helm/home at the helm

https://0700polygraf.blogspot.com/search?q=duchess+of+devonshire+gothard REFS https://sites.google.com/site/polygraphicumreferences 0700 TRANSATLANTIK TRANSFERS NYC https://sites.google.com/view/transatlantic-at-the-helm/home at the helm https://web.archive.org/web/20100315173729/http://www.polygraphicum.de/Lithographie.html https://web.archive.org/web/20091115161911/http://www.polygraphicum.de/refs.html NEW YORK SEO https://sites.google.com/site/artcombook/prestelpraunaquatinta18 KRASS https://www.sites.google.com/site/peterhelmsachverstaendiger/graesse-j-g-t https://www.chatsworth.org/art-archives/devonshire-collections/library/the-pass-of-st-gothard/

eberbach helm lindach ::: +49 6271 1387 ::: +49 6263 276 peter.helm@polygraphicum.net

Peter Helm on LITHOGRAPHY EARLY LITHOGRAPHED BOOKS VANITY BOOK Mount Saint Gothard 1816 DUCHESS OF DEVONSHIRE 1792

Louis-Philippe Duc d'Orléans

Futur Roi

Demandant l'hospitalité au Padre

de l'Hospice du Mont Saint Gothard

27.08.1793

Peter A. Helm

BVS EXPERT 

on 

Lithography 

EARLY LITHOGRAPHED BOOKS

A TRAVELOGUE

 VANITY BOOK 

Mont Saint Gothard :: Mount Saint Gothard 

Paris

Charles de Lasteyrie

1816

RRR

 DUCHESS OF DEVONSHIRE

Voyage

 1792/93

Lady Georgiana Cavendisch Spencer

Duchess of Devonshire

https://sites.google.com/site/myoperamardigras/duchess-of-devonshire

                                    GEORGIANA CAVENDISH DUCHESS OF DEVONSHIRE                                                        

see also peter helm G+     18.December 2015        

PRO SAN GOTTARDO / SANKT GOTTHARD 'Im Eis'

MONT SAINT GOTHARD :: MOUNT SAINT GOTHARD

PARIS (1816) more probably 1817+

only 50 copies printed 

by 

charles de lasteyrie du saillant on his lithographic hand-press

lithographic illustrations (plates) by charles de lasteyrie du saillant

text completely handwritten on the lithographic stones 

by 

G. Moulin

(cf. graesse and brunet)

about 8 copies known in public collections.

cf. MICHAEL TWYMAN EARLY LITHOGRAPHED BOOKS  , 

ELB 1.196

'VANITY BOOK' 

[not for sale] , 

printed only for private purpose and to be used as presentations to friends.

very detailed description on 8 pages with illustrations 

(p. 166-173)

and discussing for example the problem of the broken lithographic stone of title page shortly after starting the edition 

and following this optical hint to identify the very first prints 

(of total 50)

   polygraphicum rare books

sold a complete copy of this rare and precious work to a worldfamous new york institution

 1999

Literature : Expertise No.2 by Peter Helm

https://sites.google.com/site/peterhelmsachverstaendiger/par-exemple

2.

CHARLES DE LASTEYRIE DU SAILLANT LITHOGRAPHIE

  (1816)

MICHAEL TWYMAN

ELB  

Early Lithographed Books 1.196
chapter 9 books with pictures p.166-173
the first publication to be discussed here

though the publication is undated,

the address of its imprint

'Imprimerie Lithographique de C. de Lasteyrie rue du Bac No.58'

suggests that  it must have been printed between 1817 and 1825

an incomplete copy of the book in
cambridge university library
has a letterpress title-page dated 1816

such evidence , taken along with  

the style of the lithographic work, 

suggests a dating nearer 1817 than 1825 ²

² The British Library  catalogues  and H.W. Lowndes, The bibliographer's manual of English literature

(revised by H.G.Bohn, London, 1864), both give the date of this lithographed edition  as 1802.

Such a date is quite out of the question. 1802 may have stemmed from a transposition of the last two digits of 1820, a date which would accord  with lithographic evidence, or it may have been a straightforward

confusion with an earlier letterpress edition. The Dictionary of National Biography gives the date as 1816.

Both Lowndes and Martin, Bibliographical catalogue , claim that only fifty copies were printed and that they were not for sale.

[X]

presented
 by

PETER A. HELM

BVS EXPERT

KUNST ANTIQUITÄTEN JUWELEN

Kunstgegenstände

Europäische Bücher 1500-1900

Europäische Druckgraphik 1500-1900

01520 4949491

expertise@polygraphicum.de

Kunstantiquariat & Kunsthandel 

Restauro

sales & services

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always at your service...

FEEL FREE TO CONTACT US

local.regional.national.international.abroad.continental.overseas.worldwide

&

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2020

https://www.chatsworth.org/art-archives/devonshire-collections/library/the-pass-of-st-gothard/ https://www.kenspelman.com/ARTBIB/lithography.pdf

Comte Charles Philibert de Lasteyrie du Saillant Lithographic Pioneer Paris c.1815/16 Contemporary of Godefroy Engelmann

peterhelmcatalogs references::referenzen 0700NEWYORKSEO GUIDE Early Lithographed Books by Michael Twyman . Cambridge University Press transatlantic polygraficum 1980 polygraphicum transatlantik 0700SANFRANCISCOSEO GUIDE <> bloGspOt 3401 dweed 1853 https://twitter.com/PeterHelm12/status/1717983259437531522 dwee 1855 https://twitter.com/PeterHelm12/status/1717997310850789652 << http://0700polygraf.blogspot.com/2019/12/peter-helm-lithographie-catalogue.html blogger CHARLES PHILIBERT de LASTEYRIE du SAILLANT https://fr.wikipedia.org/wiki/Charles_Philibert_de_Lasteyrie Most probably printed in France the first early illustrated book entirely in Lithography. With Lithographic Plates and Text plates each entirely printed from a lithographic stone. Paris (1816) Contemporary to Godefroy Engelmann. Famous Lithographic Pioneer En 1812, il part pour Munich et se documente sur cette invention de l'Allemand Aloys Senefelder avec lequel il passe un accord ; cependant, les guerres napoléoniennes retardent la mise en œuvre d'une véritable presse à Paris ; un second voyage en Bavière en 1814, lui permet de mener enfin à bien son établissement, qui ouvre le 15 avril 1816 au 54, rue du Four Saint Germain... Ensuite son imprimerie adresse était Rue du Bac No.58 <> HE1M sites.google.com/view/he1m/home 8DIGITS https://0700polygraf.blogspot.com/2023/10/das-virtuell-zeitalter-8digits.html MY COOPERA sites.google.com/site/mycoopera 8DIGITS https://0700polygraf.blogspot.com/2023/10/das-virtuell-zeitalter-8digits.html images online 2000 ILLUSTRATED CATALOGUES ONLINE 2000 https://0700polygraf.blogspot.com/2021/05/httpweb.html Litografia Lithographie Lithography Steindruck https://web.archive.org/web/20100315173729/http://www.polygraphicum.de/Lithographie.html references :: referenzen https://web.archive.org/web/20091115161911/http://www.polygraphicum.de/refs.html

<> GEORGIANA CAVENDISH SPENCER . DUCHESS OF DEVONSHIRE: Passage of the Mountain of Saint Gothard A POEM by Georgiana Duchess of Devonshire ::: Passage du Mont Saint-Gothard POEME Paris (1816) Privately posthum published by Lady Elizabeth Foster ('Dearest Bess').Imprimerie Lithographique de Charles de Lasteyrie, rue du Bac N° 58, Text completel lithographed by Moulin (‘Moulin script.’), in-4to, (312x235mm), 2 ll. (half-title & titlepage) and V (Épitre) (+ 1 p. (Envoi)) + 3 p. (blanc - fasc. of writing - Dedication to l’Abbé de Lille) + 44 p. (+ 1 p. blanc) + 20 lithographic plates, (printed entirely by lithographed stones), Full morocco, spine on 5 raised bands richly gilt, bookcovers with gilt frames & ornaments, guards of red silk, inside binding with richly gilt frame and elaborate ornaments on which is placed the bookplate in the middle, gilt edges. First illustrated edition, privately printed in unnumbered 50 copies only, with the 20 lithographic plates of views, 19 after paintings by Elizabeth Foster and 1 after Lady Blessington. Elizabeth Foster’s paintings (tody in the Morgan Library NYC) were re-drawn by J.E. Deshayes and Alexandre Pegnault for transfer to lithographic stones and it is Elizabeth Foster (her best friend) who almost certainly commissioned this lithographically illustrated edition. Comte de Lasteyrie, the printer (1759-1849), was one of the important pioneers of the art of lithography. Copies are known with the 2 portraits of Georgiana and Elizabeth, which are not included herein. The Duchess of Devonshire, Georgiana Cavendish (of Chatsworht, Derbyshire) made a Grand Tour with Lady Foster and they passed through Italy to Switzerland, writing this poem and making the paintings in 1793. The Duchess died in 1806; Elizabeth married the widowed Duke; and when the Duke died in 1811 Elizabeth moved to Italy until 1824. During 1818-1819, however, she lived in Paris and would have arranged for the printing of this work there, entirely in lithography. This Paris edition was printed in 50 copies only; it is one of the few poems in English to celebrate William Tell and one of the first English poems to praise Switzerland and popularise the Alps for the English tourist and artist. De Lasteyrie set up his lithographic press in Paris in 1816, he moved to rue du Bac 58 in June 1817.By 1825 Lasteyrie had moved to rue St. Marc no. 8. The original edition was first printed in the Morning Chronicle in 1799, the Duchess of Devonshire’s poem ‘The passage of the mountain of St. Gothard’ appears not to have been published in book form until 1802, at which time three editions appeared (in quarto, octavo and duodecimo), each of them printing Delille’s translation alongside the English text. The earliest of these is generally considered to be the quarto edition, all editions are unknown to Perret’s, ‘Guide des livres sur la montagne’ and are very rare indeed. * TRAVELOGUE.Maybe the pirst Paris printed book in Lithography,this is one of the earliest examples of lithographic printing, and also one of only two books of a literary nature printed entirely by lithography (text and plates) before 1830. You will find notes of the Duchess’s tour of Switzerland in De Beer, ‘Travellers in Switzerland‘ under 1792 and 1793. Collation of the views: 1) Magadine (lake and peaks) / 2) Tesino (road, river, peaks) / 3) Tesino (river and peaks) / 4) Première vue de St. Gothard (forested road into gorge) / 5) Dazio grande (bridge over rapids) / 6) Airolo (village, rapids and gorge) / 7) Tesino (gorge, river, bridge) / 8) Tesino (rocky gorge, bridge over rapids) / 9) Hospice / 10) Padre Lorenzo (this from a painting by Lady Blessington) / 11) Lac et Hospice / 12) Reuss / 13) Vallon d’Urseren / 14) Gallerie d’Urseren / 15) Pont du Diable / 16) Near Altdorf (path and river) / 17) Altdorf / 18) Chapelle de Guillaume Tell / 19) Uri at Schwitz (lake and peaks) / 20) Lucerne (rural view). Not in Perret -; cf. Charles Warren’s article “An Alpine bibliographical curiosity” in the Alpine Journal of 1984; de Beer, Travellers in Switzerland 1792 and 1793. ::::: For completely researched data see Michal Twyman EARLY LITHOGRAPHED BOOKS Cambridge University Press Early Lithographed Books 1.196 chapter 9 books with pictures p.166-173 ::::: cf. for instance par exemple zum beispiel peter helm exp kst value LADY CAVENDISH DUCHESS OF DEVONSHIRE : BOOK (1816) RRR CHARLES DE LASTEYRIE DU SAILLANT (1816) MICHAEL TWYMAN ELB Early Lithographed Books 1.196 chapter 9 books with pictures p.166-173 the first publication to be discussed here though the publication is undated, the address of its imprint 'Imprimerie Lithographique de C. de Lasteyrie rue du Bac No.58' suggests that it must have been printed between 1817 and 1825 an incomplete copy of the book in cambridge university library has a letterpress title-page dated 1816 such evidence , taken along with the style of the lithographic work, suggests a dating nearer 1817 than 1825 ² ² The British Library catalogues and H.W. Lowndes, The bibliographer's manual of English literature (revised by H.G.Bohn, London, 1864), both give the date of this lithographed edition as 1802. Such a date is quite out of the question. 1802 may have stemmed from a transposition of the last two digits of 1820, a date which would accord with lithographic evidence, or it may have been a straightforward confusion with an earlier letterpress edition. The Dictionary of National Biography gives the date as 1816. Both Lowndes and Martin, Bibliographical catalogue , claim that only fifty copies were printed and that they were not for sale <> sites.google.com/site/neuyorkseo <> transatlantic polygraficum 1980 polygraphicum transatlantik PETER HELM SACHVERSTÄNDIGER KUNSTHÄNDLER 0700 PRINTS BVS G+ BVS art recherche PETER HELM research kunst KST 0700 EXP Sachverständige sind geradezu das Urbild eines freien Berufs TRANSATLANTIC www <> 0700NEWYORKSEO GUIDE transatlantic polygraficum 1980 polygraphicum transatlantik 0700SANFRANCISCOSEO GUIDE <> GUIDA d'ITALIA 1775 <> https://www.interlex.de/Sachverständige/Antiquariat_-_alte_Bücher_und_alte_Graphik/

ANTIQUARIAN Fair STUTTGART 61 :: 26-28.JAN 2024 sturgardde Württembergischer Kunstverein :: Visitor Kunstantiquar Rosenturm :: PeterHelm :: ISRAEL MAYER HAUS 1 AM SYNAGOGENPLATZ EBERBACH 1387

bloGspOt 3617 https://0700polygraf.blogspot.com/2021/05/httpweb.html dweed VARIA sturgardde :: stuttgart sites.google.com/view/sturgardde/home web archives peter helm https://sites.google.com/site/linden1expertise/wwwartcatalogues RESEARCH & SEO https://web.archive.org/web/20210812013123/https://sites.google.com/site/sturgardde/ HE1M HOME masterprints rare books sites.google.com/site/masterpprints sites.google.com/site/rarebbooks sites.google.com/site/0700buch/einbaende https://web.archive.org/web/20100122170956/http://www.polygraphicum.de/einbaende.html www.polygraficum.de sites.google.com/site/artifex1980 www.polygraphicum.de sites.google.com/site/linden1expertise sites.google.com/view/0700-kstsachverstaendigenbuero

bassenge.com https://www.forumrarebooks.com/index.html https://www.augustlaube.ch/ https://www.quaritch.com/ https://www.heribert-tenschert.com/ <> MASTERPRINTS CATALOGUES ONLINE <> LONDON SEO sites.google.com/site/londraseo NEW YORK SEO sites.google.com/site/neuyorkseo

Original 19th century Lithographic Stone Printing Plate Stuttgart Königsplatz by Abele

http://0700polygraf.blogspot.com/2022/03/georgiana-cavendish-spencer.html

https://sites.google.com/site/androidpolygraphicumtablet

NÜRNBERG HISTORICALS 19.Jahrhundert. KREIDE LITHOGRAPHIE in FARBEN von (Johann Lorenz) Theodor Rothbarth (Roth/Mittelfranken um 1816-1877 Nürnberg) Ölmaler,Aquarellmaler,Zeichner,Lithograph Ansicht von der Fleischbrücke mit dem Ochsen am Fleischhaus um 1850. Links geht der Blick entlang der Kolonnaden auf dem Hauptmarkt über den Rathausplatz mit dem Ostchor der Sebalduskirche in Richtung Burgstraße, mit der Burg im Hintergrund Recht selten. sites.google.com/site/olddecorative https://web.archive.org/web/20100205141819/http://www.polygraphicum.de/druckgraphikD1.html

https://sites.google.com/site/sturgardde/antiquarian-fair-stuttgart

<>

https://sites.google.com/site/speicheroort/hornberg

https://sites.google.com/site/speicheroort/horneck PHILLIPS NEW YORK SALE 1987 https://www.phillips.com/ Geib Neckargegenden von Mannheim bis Heilbronn http://0700polygraf.blogspot.com/2023/02/b37-dweed1300-14feb2023.html PROUDCORNER <> HELMvonSTOLZENECK

AQUATINTA https://web.archive.org/web/20080622063210/http://www.polygraphicum.de/Aquatinta.html MANNHEIM sites.google.com/site/manhighm HEILBRONN sites.google.com/site/highlbronn NECKARTAL NECKAR VALLEY VALLÉE DU NECRE http://0700polygraf.blogspot.com/2023/11/restauro-peter-helm-eberbach-1387.html <> ZWINGENBERG dated 1837 Drawing Brown Ink & Sepia-Lavis Restauro

https://web.archive.org/web/20081102040916/http://www.polygraphicum.de/Neckartal.html <> Mount Saint Gothard meets Neckar Valley <>

CHATSWORTH The Pass of St Gothard Georgiana Cavendish, Duchess of Devonshire, c.1816 Duchess Georgiana’s poem, 'The Passage of the Mountain of St Gothard', was written when travelling back to England from her exile in Europe in the early 1790s. It was inspired by her experience of crossing the Saint Gotthard Pass in the Alps with Lady Elizabeth Foster in August 1793. Written at a time when the mountainous scenery of the Alps was regarded as alarming and exciting, but not something to be appreciated aesthetically, the Duchess’s poem makes it clear that she was one of the first to jview the Alps as beautiful, as well as giving a graphic account of crossing the pass. The poem was first published in an unauthorised edition in 1799, and subsequently appeared in several other editions, including in French and Italian translations. Samuel Taylor Coleridge admired the poem, writing one of his own in response: 'Ode to Georgiana, Duchess of Devonshire'. The image shown here is taken from a posthumous edition of c.1816. The poem was illustrated with lithographic prints of original drawings (watercolours) by Lady Elizabeth Foster and one watercolour by Lady Bessborough. Printed and Published in Paris by Charles du Saillant de Lasteyrie (1816) Edition 50 copies only A so called Vanity Book. Hors commerce. For private presentation purpose only. cf. Twyman Early Lithographed Books <> St.Gothard meets Neckar Valley <> Polygraphicum :: Polygraficum http://0700polygraf.blogspot.com/2022/03/georgiana-cavendish-spencer.html https://sites.google.com/site/peterhelmsachverstaendiger/kunst-und-sachverstaendigenbuero

Tesino GotthardStrasse Lithographie Lady Elizabeth Foster (Watercolour) Comte Charles de Last(eyrie) lith. Paris.Imprimerie Lithographique Chs.du Saillant de Lasteyrie (1816)

Cavendish, Georgiana, Duchess of Devonshire The Passage of the Mountain of Saint Gothard, a poem, C. de Lasteyrie, [with parallel French translation by L'Abbé de Lille], [Paris], [circa 1816], 20 uncoloured lithographic views by C. de Last(eyrie) after watercolours by Lady Elizabeth Foster, 44 pages of text, untrimmed, original vellum-backed plain boards,large 4to (330 x 250 mm) <> Besuchen Sie uns auf der Stuttgarter Antiquariatsmesse vom 26. bis 28. Januar 2024 an Stand 4 Aus unserem Messeangebot: J. Kepler, Narratio de observatis. Florenz, Cosimo Giunti, 1611. Ein Meilenstein in der Begründung der modernen Naturwissenschaft. € 65 000,– M. Luther, Von der Babilonischen gefengknuß der Kirchen. (Augsburg, J. Nagler, 1520). Erste dt. Ausgabe, vierter Druck. € 5000,– Auktionen im Frühjahr 23. – 26. April 2024 Einlieferungen erbeten Einlieferungsschluss ist Mitte Februar, wertvolle Einzelstücke oder Sammlungen nach Absprache. Gerne beraten wir Sie unverbindlich. Termine für eine Besichtigung oder Abholung können nach Absprache gerne vereinbart werden. Mit freundlichen Grüßen REISS & SOHN Buch- und Kunstantiquariat - Auktionen e.K. - Inhaber: Clemens Reiß Adelheidstraße 2, 61462 Königstein im Taunus, Deutschland <> <> polygraphicum :1980: polygraficum https://sites.google.com/site/artpeterhelmkunst/cv-hp-ps

CRESENTIIS, PETRUS de :: New Feldt und Ackerbaw mit zahlreichen Holzschnitten nach Christoph Maurer, Tobias Stimmer u.a. Straßburg L. Zetzner 1602 Folio 2. Ausgabe Graesse II, 299 Der sogenannte 'Pseudocrescenzi', erschien erstmals 1583 bei Feyerabend in Frankfurt polygraphicum :1980: polygraficum https://sites.google.com/site/artpeterhelmkunst/cv-hp-ps