AGAR PRESENTÉE À ABRAHAM PAR SARA Kupferstich von J.G. Wille in Paris nach Dietricy Dresde ( C.W.E. Dietrich) Widmung an Kurfürst Karl Theodor von der Pfalz collection HELM&HELM sammlung

blogspot 4061 dweed polygraphicum index https://0700polygraf.blogspot.com/2021/05/httpweb.html

https://web.archive.org/web/20090826124431/http://www.polygraphicum.de/Kupferstich.html WELCOME LIBRARY LONDON The childless Sarah presents Hagar, her handmaid, to her husband Abraham. Line engraving by I.G. Wille after C.W.E. Dietricy. sites.google.com/site/londraseo https://commons.wikimedia.org/wiki/File:The_childless_Sarah_presents_Hagar,_her_handmaid,_to_her_hus_Wellcome_V0034436.jpg AGAR PRESENTÉE À ABRAHAM PAR SARA Kupferstich von J.G. Wille in Paris nach Dietricy ( C.W.E. Dietrich) Dedication à Charles Theodore Comte Palatin du Rhin Widmung an Kurfürst Karl Theodor von der Pfalz collection HELM&HELM sammlung WEB ARCHIVES PETER A. HELM https://web.archive.org/web/20090826124431/http://www.polygraphicum.de/Kupferstich.html MASTERPRINTS POLYGRAPHICUM sites.google.com/site/masterpprints www.polygraficum.de 0700 76594723 www.polygraphicum.de PRINT AND MAP SELLERS International Directory EUROPA PUBLICATIONS LTD London

sites.google.com/view/he1m/home sites.google.com/site/mycoopera sites.google.com/site/wwwartcatalogues

AUTOGRAPH O.KOKOSCHKA Bezug Fingerle Verlag Esslingen :: Villeneuve CH. 14.XI.1955

blogspot 4060 dweed AUTOGRAPH O.KOKOSCHKA Bezug Fingerle Verlag Esslingen Villeneuve CH. 14.XI.1955 Kokoschka, Oskar, Maler, Graphiker und Dramatiker, Hauptmeister des Expressionismus (1886-1980). Eigh. Brief m. U. "O Kokoschka" und eigh. Umschlag. 2 S. Gr. 8vo. Villeneuve (Schweiz) 14.XI.1955. An einen ihm befreundeten Juristen, Politiker und Architekturkritiker in Bonn, betreffend eine "alte Schuld". "... Das Rad der äußeren Erfolge läuft ja wieder ganz munter, doch der Werkelmann, ich, der die Kurbel dreht, ist meist gar nicht bewußt alles dessen, was er angestellt hat im Leben. Nun, vom Verlag Fingerle & Cie, Esslingen am Neckar, werden in der nächsten Zeit 2000 D.M. als erste Anzahlung auf meine Schuld von 10.000 D.M. bei Dir geleistet werden. Weitere Beträge folgen von andern Stellen, wo ich anständige Beträge erwarte ... Bis zum 1. Jänner hoffe ich Dir den Gesamtbetrag zurückerstattet zu haben in Teilbeträgen. Überdies will ich Dir eine Ölskizze des Casalsportraits aushändigen, als Geschenk für Ruth, die ich in Sion nicht fertigbrachte, weil die Dame in Begleitung Casals auf plötzlicher Abreise bestand. Ich malte dann ein Bild darnach, in einer andern Stellung. Auch diese Skizze wäre besser hier gelegentlich abzuholen, weil Verpackung, Transport und offizielle Zollscheerereien hier alles so compliziert machen. Ich hätte auch Ruth gemalt, bei ihrem labilen Gesundheitszustand ist dies aber so schwierig einzurichten ...". Erwähnt eine Kokoschka-Ausstellung in Wien. weiterlesen Ehrbare Kaufleute nach Treu und Glauben https://0700polygraf.blogspot.com/2023/09/blog-post_5.html Peter Helm Lindenstrasse 11 , 69412 Eberbach https://sites.google.com/.../sturgardde/fingerle-kunstverlag Fingerle Kunstverlag Esslingen am Neckar

artHELMkunst ANTIPHONAR ANTIPHONAR IMPERIAL FOLIO INITIAL I collection helm lindach

blogspot 4059 dweed artHELMkunst ANTIPHONAR ANTIPHONAR IMPERIAL FOLIO INITIAL I Large Initial I with floral borders in orange, red and green and two painted inlays depicting a monk and an angel text in sepia between red lines Iam Lucis Orto Sidere Star of Light Now Having Risen Hymn This 6th century hymn is used in the Roman Breviary at the Office of Prime. In the Liturgia Horarum it is found at Thursday Lauds for the second and fourth weeks of the Psalter during Ordinary time. collection helm lindach sites.google.com/site/arthelmkunst/recherche-research

HEIDELGOOG Map&PrintSellers Charles de Graimberg / J.J.Tanner Vue de Heidelberg

blogspot 4058 dweed https://0700polygraf.blogspot.com/2022/09/charles-de-graimberg-del.html Vue de Heidelberg prise de la terrasse Aquatinta Graimberg/Tanner um 1850 collection HELM&HELM sammlung blogspot 4058 dweed 2157

Google1st Heidelberg #Aquatinta OLD DECORATIVE HEIDELGOOG Paintings Map&PrintSellers https://0700polygraf.blogspot.com/2024/11/blog-post.html https://web.archive.org/20080622063210/http://www.polygraphicum.de/Aquatinta.html https://web.archive.org/web/20091123230708/http://www.polygraphicum.de/heidelberg.html https://web.archive.org/web/20081102040916/http://www.polygraphicum.de/Neckartal.html http://sites.google.com/site/heidelgoog http://sites.google.com/site/wwwartcatalogues sites.google.com/view/he1m/home https://pic.x.com/lUA48LUaEo

OCULUS MEMORIAE Bewahren Erleben Verstehen

blogspot 4057 dweed OCULUS MEMORIAE EBERBACH 1211 Bernhelm Bewahren Erleben Verstehen

AVEC LE TEMPS ::: AU MIRROIR OCULUS MEMORIAE Quelques Encadrements Dessins.Gravures.Lithographies.Tableaux Drawings Masterprints Paintings PIERRE LE CASQUE FANTÔME À LA MAISON LIBRAIRE-EXPERT Styles Baroque Rokoko Empire Neo Classical Art Nouveau etc. Ça manque nettement d‘enquadrements LIT.: Alte Bilderrahmen CLAUS GRIMM Epochen.Typen.Material CALLWEY MÜNCHEN sites.google.com/site/0700monacodibaviera bestimmen bewerten erhalten Bilderrahmen E.G.CONZEN/G.DiETRICH Stil.Verwendung.Material KEYSER‘S SAMMLERBIBLIOTHEK Old Decorative Frames https://sites.google.com/.../kunstund./old-decorative-frames presentés par ARTIFEX 1980 sites.google.com/site/artifex1980 DER BILDERRAHMEN EBERBACH https://sites.google.com/.../peterh.../old-decorative-frames https://0700polygraf.blogspot.com/.../dweed-1529... PeterHelm on X https://x.com/PeterHelm12/status/1840583798016053413 PeterHelm YouTube https://www.youtube.com/watch?v=zMfEnp3Hdbc

HEIDELGOOG PRINT & MAP SELLERS Friedrich Rottmann Heidelberg

https://m.facebook.com/photo.php?fbid= 33. 068. 22. 0 88. 290646 https://web.archive.org/web/20080630055841/http://www.polygraphicum.de/Kuenstlergraphik.html OLDDECORATIVE

HEIDELGOOG PRINT & MAP SELLERS

MILTON

blogspot 4055 dweed https://de.wikipedia.org/wiki/John_Milton

First edition, first issue, Amory's state 1(b) of the title page (the traditional first state), dated 1667 and with Milton's name spelled in full and in larger type than "London" of imprint." Finely bound by Riviere in full brown morocco gilt, paneled sides with center, corner and other ornaments, spine gilt, all edges gilt. Housed in a cloth folding case. Near Fine, lacking preliminary blank; printer's error in the paper at foot of M2 affecting portions of the bottom two lines on both sides; small marginal repair on T4; some line-borders cropped at top; headline on V4 recto also cropped; lower margin repaired on Vv1 affecting the printed border rule at foot. A few notes in light pencil on rear endpaper. Small bookplates of noteworthy collectors George Goyder and William A. Strutz on paste down. The title exists in at least six states, of which the present state has been traditionally recognized as the first. Of the numerous theories attempting to explain the sequence of these variants over the centuries, Amory presents a reasonable (albeit initially counter-intuitive) case for priority belonging to the title page with the future date of 1668 and Milton's initials, corresponding to how Simons registered the work on 20 August 1667. See Hugh Amory, "Things Unattempted Yet: A bibliography of the first edition of Paradise lost," in The Book Collector, Spring 1983, pp. 41-66 (1b). The 1667 titles like this one, according to him, were used when the authorized 1668 titles were exhausted. Grolier English 33; Grolier Wither to Prior 599; Hayward 72; Pforzheimer 716 (giving priority to the setting with "Milton" smaller than "London" in imprint); Wing M2138. This famous epic poem made its appearance at an unfortunate time. London had barely recovered from the Plague of 1665 (during which eighty printers had died, wherein is seen another reason for the difficulty in finding a publisher), and the great district devastated by the Fire was still only partly rebuilt. It was not surprising that the 1200 copies which are thought to have made the first edition did not have a brisk sale" (Grolier, English). For centuries it has been considered Milton's masterpiece and a cornerstone of English poetry. It retells the fall of Satan as well as the banishment of Adam and Eve from the Garden of Eden.