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first edition nowell-usticke catalogue RBT sale Parke-Bernet Galleries (SOTHEBY'S) New York 1967 <>

The Nowell-Usticke Collection of REMBRANDT ETCHINGS Rbt. v. Ryn PART ONE / PART TWO ms. owner's signature in pencil A.O. ..... with annotation : 558 Madison Ave(nue) SALE NUMBER 2609 FREE PUBLIC EXHIBITION From Saturday.October 21 to Date of Sale 10 a.m. to 5 p.m. ~ Closed Sundy and Monday PUBLIC AUCTION Tuesday and Wednesday October 31 and November 1 at 1:45 p.m. EXHIBITION AND SALE AT THE PARKE-BERNET GALLERIES .INC 980 MADISON AVENUE . 76th - 77th STREET NEW YORK 10021 . 212/879-8300 ~ ~ ~ Sales Conducted by PETER WILSON . JOHN L. MARION . CHARLES A. HELLMICH . EDWARD L. CAVE . EDWARD J. LANDRIGAN III 1967 Frontispice Detail from 'Studies, including a Self Portrait and Beggars' (Lot 37) LetterPress Title The Distinguished Collection of REMBRANDT ETCHINGS Formed by GORDON W. NOWELL-USTICKE Sold by Order of the Present Owner PART ONE Public Auction Tuesday and Wednesday October 31 and November 1 at 1:45 p.m. PARKE-BERNET GALLERIES . INC [Affiliated with SOTHEBY & Co London] New York . 1967 PARKE-BERNET GALLERIES.INC. PEREGRINE POLLEN . President MARY VANDEGRIFT . Executive Vice-President MARCUS LINELL.JOHN L. MARION.JERRY E. PATTERSON. Vice Presidents N. H. MORRIS McOSTRICH.THOMAS E.NORTON, Assistant Vice-Presidents ARNOLD M. KAGAN. Treasurer EUNICE S. CARROLL. Secretary < - > SOTHEBY'S OF LONDON . LTD 980 Madison Ave.New York Telephone: 212/758-2891 9777 Wilshire Blvd.Beverly Hills (Calif.) Telephone: 213/274-7329 SOTHEBY & CO 34 New Bond Street.London W.1 01-493 7242 Cable : ABINITIO, TELEX (London . New York or Beverly Hills) INTRODUCTION The collection described in this catalogue was formed by Captain Gordon Nowell-Usticke , mostly between 1934 and 1954, after which he retired to the Virgin Islands. It is one ofe the most distinguished private collections of Rembrant etchings known today. The main part of ot was formed in the 1930s, when Captain Nowell-Usticke gave the greatest attention to obtaining works of special rarity. As the collection grew and became more comprehensive he made continual improvements, replacing one impression of an etching when another example of superior quality was available. Captain Nowell-Usticke recently completed a study of Rembrandt etchings which is to be published. etc. REFERENCE BOOKS B.R.S. (Adam Ritter v. Bartsch Vienna 1797 Dimitri Rovinsky St.Petersburg 1890 Woldemar von Seidlitz Leipzig 1922) H. (Arthur M. Hind London 1923) B.-B. (George Biörklund and Osbert Barnard New York 1955) L. (Frits Lugt Amsterdam 1921, and Supplement The Hague 1956) Münz (Ludwig Münz London 1952) CATALOGUE PART ONE NUMBERS 1-113 October 1967 31st (Afternoon Session) November 1st 114-211 With ms. ink catalogue Annotions throughout (all lots): Buyers/Results and Quality Details CATALOGUE PART TWO NUMBERS 212-331 April 30th 1968 (Afternoon Session) May 1968 1st 332-410 With ms. ink catalogue Annotions throughout (all lots): Buyers/Results and Quality Details

LOTS 133-173 ; 174-229 / 230-270 / 271-277 Separate List With ms. ink catalogue Annotions throughout (almost complete): Buyers/Results and Quality Details

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https://www.youtube.com/watch? v=xk6CtJ1DL-Y <> BIBLIOGRAPHICAL SUMMARY REMBRANDT HARMENSZ VAN RYN, son of Harmen Gerritsz van Ryn, miller (born 1568 or 1509) and Neeltge Willemsdochter , daughter of a baker of Zuytbroeck ; born July 15, 1606 in a house in the Weddesteeg at Leyden ; entered Leyden University as student of letters May 20, 1620 but left before the end of the year ; studied painting for about three years under Jacob Isaaksz van Swanenburgh in his native town, and at the age of seventeen for about six months in Amsterdam under Pieter Lastman ; returned in 1624 to Leyden, probably to the home of his parents , where he was settled from 1624 until after June 1631 is said to have studied a few months under Jan Pynas ; first dated work 1627 received Gerard Dou as a pupil in February 1628 lost his father April 27,1630 ; removed to Amsterdam, probably in the latter half of 1631 , taking his unmarried sister Lysbeth with him is known to have been living in July 1632 in the house of the art dealer and publisher Hendrik van Ulenburch near the S.Anthonis-sluis in the Breestraat, and appears to have remained in the same lodging till after February 1635 ; married Hendrik’s kinswoman, Saskia van Ulenburch June 1634 had a son christened Rombertus December 1635 ; in February 1636 was living i n the Nieuwe Doelenstraat ; a daughter Cornelia christened July 22, 1638 ; one of his children (probably Cornelia) buried in the Zuiderkerk August 13 , 1638 in January and February 1639 he dates letters from a house on the Binnen-Amstel ; made agreement to purchase a house in the Breestraat (south-side, beyond the S. Anthonissluis) Jn the same year ; a second daughter January 5 , 1639 , but was not to enter into possession until May Daughter christened Cornelia July 29 ,1640 ; lost his mother, who was buried in S.Pieterskerk , Leyden, September 14, 1640; a second son Titus christened September 22, 1641 ; his wife Saskia died June 14, 1642 ; liaison with Titus’s nurse Geertge Direx , whom he agreed to support after she left his house in 1649 Hendrickje Stoffels (Jaghers) , who was apparently a servant in the house when Geertge left This date taken from Orlets, Beschryving van Leiden, 1641 ; but Rembrandt’s marriage register, followed by Vosmeer, makes it 1607. Houbraken gives June 15 . See C. J . Holmes, Burlington Magazine, xii . 102. This house was opened to the public on the tercentenary of Rembrandt’s birth . In 1656 she was in a madhouse, where she died shortly after . Dr. Valentiner and Dr. Bode think that Geertge Direx may be portrayed in two drawings in Haarlem and the British Museum (H. de G. 1327 and the former having been traditionally called ‘Titus’s Nurse . the house when Geertge left (and then twenty-three years of age) , replaced the latter in Rembrandt’s affections ; a child by Hendrickje, apparently buried August 15 , 1652; in 1653 Rembrandt is in difficulties about the payments still due for his house in the Breestraat, and raises considerable loans : in 1654 Rembradt and Hendrickje Stoffels (Jaghers) are summoned by the council of the reformed community to which they belong, on the score of illicit intercourse, and Hendrickje is forbidden to appear at the Lord’s Supper a third daughter christened Cornelia October 30, 1654 arranged in 1655 to purchase a house in the Hoochstraat from Dirk and Otto van Cattenburch (money-lenders and art-dealers in return for pictures and prints, in addition to a certain sum of money ; in 1656 declared bankrupt, an inventory, which is still preserved , being made Of the whole contents of his house in July of that year ; sales of his house and effects took place between 1657 and 1658 , and from then till the end of his life all the money he earned had to go to his creditors, whom he never satisfied ; removed not earlier than 1658 , apparently to a lodging in the Rozengracht ; Hendrickje Stoffels who was recognized in a document of 20 October 1661 (the last in which she is mentioned) as Rembrandt’s wife, died before 1664 ; Rembrandt reported to have spent some time in England about 1661-2; Titus , who had attained his legal majority in 1665 (receiving 6952 guilders as the balance of his mother’s bequest) , was married in February 1668 , and died in September of the same year ; Rembrandt’s granddaughter, Titia van Ryn, baptized March 22 1669 , Rembrandt died October 4, 1669 , and was buried in the Westerkerk October 8 . Cited from Arthur M. Hind of the British Museum Slade Professor of Fine Art in the University of Oxford REMBRANDT CATALOGUE OF ETCHINGS VOL.I, p.1-2 METHUEN AND CO. LTD. 36 ESSEX STREET W:C: LONDON First Published February 1912 Second Edition , revised and in part rewritten 1923 ~ Printed in Great Britain by T. and A. Constable LTD, at the University Press, Edinburgh <> ARTHUR MAYGER HIND OBE, FSA (* 26. August 1880 in Burton-upon-Trent; † 22. Mai 1957 in Henley-on-Thames) war ein britischer Kunsthistoriker. https://de.wikipedia.org/wiki/Arthur_M._Hind <>

peterhelm est.1980 european books & prints works of art 15th to 20th century kunst antiquitäten juwelen <> NOWELL-USTICKE Rembrandt SALE PARKE-BERNET (Sotheby's) NEW YORK Data. Manuscript Catalogue Annotations on condition of prints, states, bidders, buyers etc. by a New York Rembrandt Collector from Madison Avenue. ...fine impression...(Lot 2),...Rembrandt?...(4),...clear impression,...no,..grey... (6),...fine impression...(7),...fine impression...(10),...Rembrandt?...(12),...only fair...(16),. ....fine made...too black...(17),...alright...(18),...horrible...(20),...impression too muddy...(22),...very poor impression...(23),...even worse...(24),...fine impr....(25),...fine...(29), ....fine...(35),...fine, slightly uneven...(37),...still quite acceptable, greying here and there...(46),...fine impr....(48),...fine...(53),...alright...(54),...repair paper, still effective!...(58), ....fine...(59),...fine...(61),...not fine...(67),...fine...(70),...fine...(71),...has weak spots here and there, otherwise still alright...(76),...fine imp. , little dry already...(81),...fine (82), ...still very good, but too black...(85),...no, ...reproduction deceiving...(86),...has suffered by washing...(88),...good, little dull...(89),...reproduction deceiving, disagreeable yellow tone...(90), ...acceptable impression, but faint in plans...(92),...paper unfresh...(94),...repair in sky, dry...(95),...clear, very dry...(96),...alright , but dry & dull...(97),...fine...(102),...good...(103), ...Basan...(110),...very interesting...(112),...stain left center...(113),...fine...(136),...fine...(139),...late...(152),...color of paper too yellow, thanks to washing?...(155),...ridiculous...(171), ...Andruck, Makulaturdruck !...(172),...fine, but blistered...(176),...terrible...(177),...acceptable, very close...(178),...Good imp. paper fresh...has tone...(182),...rather dull...(187), ...Carricature...(189),...fine, has been washed...(200),... ...burr..painted in..(Lot 219), ...dull...(246), ...not good...(253),...no...(254),...only fair...(265),...burr helped up?...(273),...bad...(280),...good...(281),...counterproof $ 475...(284), ...disappointing...(300),...inked in,alright but not I...(310),...very close...(313),...Chinese paper...(316),...alright...(318),...dull...(319),...medium...(322),...alright not I...(326), ...greying...(339),...many restorations in the paper...disappointing...(342),...Rembrandt?...(358),...II...(375),...grey...(384),...grey in places...(403),...burr painted in...(408), ...burr painted!...(409) ° Prices. [Estimate]. Hammer price PART ONE Tuesday & Wednesday October 31 and November 1, 1967 at 1:45 p.m. Lot 2 (....) USD 1750.- Lot 4 (...) USD 525.- Lot 6 (...) USD 450.- Lot 7 (....) USD 1400.- Lot10 (...) USD 800.- Lot 12 (...) USD 350.- Lot 16 (....) USD 1400.- Lot 17 (....) USD 1300.- Lot 18 (....) USD 1600.- Lot 20 (...) USD 375.- Lot 22 (....) USD 5500.- Lot 23 (...) USD 950.- Lot 24 (...) USD 600.- Lot 25 (....) USD 3250.- Lot 29 (....) USD 1300.- Lot 35 (....) USD 1050.- Lot 37 (....) USD 1700.- Lot 46 (....) USD 2750.- Lot 48 (...) USD 700.- Lot 53 (....) USD 2300.- Lot 54 (....) USD 1700.- Lot58 (....) USD 3500.- Lot 59 (....) USD 3200.- Lot 61 (....) USD 7000.- Lot 67 (....) USD 1600.- Lot 70 (.....) USD 10.000.- Lot 71 (....) USD 5000.- Lot 76 (....) USD 4250.- Lot 81 (.....) USD 45.000.- Lot 82 (.....) USD 17.000.- Lot 85 (.....) USD 20.000.- Lot 86 (....) USD 3250.- Lot 88 (....) USD 3250.- Lot 89 (....) USD 3250.- Lot 90 (....) USD 6250.- Lot 92 (.....) USD 13.000.- Lot 94 (....) USD 4000.- Lot 95 (....) USD 3750.- Lot 96 (....) USD 3000.- Lot 97 (....) USD 3000.- Lot 102 (.....) USD 14.000.- Lot 103 (....) USD 7500.- Lot 110 (...) USD 900.- Lot 112 (....) USD 2600.- Lot 113 (....) USD 1400.- Lot 136 (....) USD 1000.- Lot 139 (....) USD 2500.- Lot 152 (....) USD 1100.- Lot 155 (....) USD 1000.- Lot 171 (...) USD 210.- Lot 189 (....) USD 1300.- Lot 200 (....) USD 2300.- ° PART TWO Tuesday & Wednesday April 30 and May 1, 1968 at 1:45 p.m. Lot 219 (....) USD 4250.- Lot 246 (....) USD 2200.- Lot 253 (....) USD 3300.- Lot 254 (....) USD 1400.- Lot 265 (....) USD 1000.- Lot 273 (.....) USD 15.500.- Lot 280 (...) USD 350.- Lot 281 (.....) USD 14.000.- Lot 284 (....) USD 9500.- Lot 300 (....) USD 4000.- Lot 310 (....) USD 4000.- Lot 313 (.....) USD 17.000.- Lot 316 (.....) USD 31.000.- Lot 318 (....) USD 1000.- Lot 319 (.....) USD 16.000.- Lot 322 (....) USD 2100.- Lot 326 (....) USD 2400.- Lot 339 (....) USD 5750.- Lot 342 (....) USD 1300.- Lot 358 (...) USD 600.- Lot 375 (....) USD 2900.- Lot 384 (....) USD 5500.- Lot 403 (....) USD 1100.- Lot 408 (....) USD 3100.- Lot 409 (....) USD 2400.- ° Bidders.Buyers Associated American Artists.Boerner.Colnaghi.Craddock&Barnard.Cunningham.Day.Lucien Goldschmidt.Goodwin.Kennedy.Mc.Kenzy. Kornfeld.Lanke.Rob.Light.R.E.Lewis.London Graphic Arts.Michel.Prouté.Reed.Schab.Shuster etc. °