Jakob Ruysdael Peintre-Graveur acquaforte aguafuerte akwaforta eau-forte etching ets radierung Two Peasants with a Dog Hollstein 2, II Détails de l'objet: concernant RUYSDAEL Ruisdael f. MIRAGES de PAPIER Vélin

@ p.helm Jacob Isaaksz van Ruisdael (also Ruysdael) c.1629–82 The Great Beech with Two Men and a Dog, c.1651–55 Inscription in lower margin: Ruisdael f. State II (of II) Détails de l'objet: concernant RUYSDAEL Ruisdael f. MIRAGES de PAPIER Vélin @peterhelm committed to excellence eberbachHELMlindach HELMvonSTOLZENECK https://catalogo.beniculturali.it/detail/HistoricOrArtisticProperty/0100168354

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RUYSDAEL Jacob Isaaksz van Ruisdael (1628 or c.1629-1682) Aliases: Jacob "van" Ruisdael, Jacob Isaacksz. "van" Ruisdael, Jacob Isaackszoon "van" Ruisdael https://www.invaluable.com/artist/ruisdael-jacob-isaackszon-van-p56dn25x8r/sold-at-auction-prices/ Die zwei Bauern mit dem Hunde Then Great Beech with Two Men and a Dog Radierung.Etching.Eau-forte.Akwaforta c. 1651-55 Guter kontrastreicher Abzug in Sepia Schwarz Rechts mittig unten in der Platte signiert : Ruisdael f Qu.- Klein Folio, breitrandig Einfassungslinie TC 188x272mm Starkes gelbliches Velin On fine wove paper Papier mit c. 5mm schmalem Rändchen ringsum cf. Sale WIN Auktion 50, 4/95, Die zwei Bauern mit dem Hunde, leichter Velin Bartsch; Dutuit; Hollstein 2,II (Estimate 980,00) Weigel (1843) De Groot (1979) Ackley Printmaking in the age of Rembrandt 1981 pag. 227 Slive Ruisdael Catalogue Raisonné 2001 p. 604-05 Jonas Umbach (1624-93) made a reverse copy of this work Nagler 2 , Robert-Dumesnil 2, BARTSCH, DUTUIT, HOLLSTEIN 2,II Master Print cf: British Museum ... '' two farmers with their dog ; landscape with the farmers on a road in lower left,walking through a forest, a mature and gnarled tree in right foreground, c. 1650 '' Siehe auch weitere Auktionstitel : Ruysdael del. S.W. fec. Amsterdam bvs exp kst value Jacob van Ruisdael (1628-1682). Landscape painter, Etcher Dutch landscape painter. Ruisdael was born in Haarlem, The Netherlands and was active in Haarlem and Amsterdam. He is often considered one of the greatest Dutch landscape artists. Ruisdael learned to paint at a young age from his father, who was a painter, art dealer and frame maker, and from his uncle, the painter Solomon van Ruysdael. His earliest work dates from 1646 and in 1648, Ruisdael became a member of the Guild of St. Luke in Haarlem. Ruisdael traveled extensively in The Netherlands and studied painting in Germany, before settling back in Amsterdam around 1655 and establishing a studio complete with apprentices, which allowed him to produce a large body of work. Famous for his imposing landscapes, lighting and rendering of space, these characteristics distinguished him from his contemporaries. Ruisdael was able to inject seemingly quiet and mundane subjects such as trees, with emotion, tension and drama, causing contemplation in the viewer. Innovative not only in the eyes of his Dutch contemporaries, Ruisdael’s influence can also be seen throughout the following centuries in the works of Constable, Gainsborough, and in members of the Barbizon School. Ruisdael was also a doctor and died in Amsterdam in 1682, and is buried in Harlem. cf. Eugène Rouir EUROPÄISCHE GRAPHIK IM 17.JAHRHUNDERT Rembrandt und seine Zeitgenossen . SOMOGY.PARIS p.146-147 mit Abb. Die Wanderer 1646-1649 Radierung ...Von Jacob van Ruisdael (1628-1682) haben wir nur zehn Radierungen, die aber unvergleichlich sind. Seine ersten Arbeiten verraten den Einfluß Everdingens; sie sind technisch gekonnt, von großer kompositorischer Kraft mit wunderbaren, durch eine zweckmäßige Verwendung der verschiedenen Striche erreichten Lichtwirkungen: Zwei Bauern mit dem Hund, Die Hütte auf dem Hügel. Ebenso kraftvoll, aber noch poesieumwobener erscheinen : Die Wanderer , die einen dichten, quicklebendigen Wald durchqueren. Die Radierung : Die drei Bäume kündigen bereits die künstlerische Reife an. Das Sujet tritt uns ohne jedes anekdotische oder überflüssige Beiwerk entgegen; der Himmel spielt kompositorisch eine entscheidende Rolle. Ruisdael vereinfacht seine Technik und offenbart gleichzeitig seine künstlerische Persönlichkait und sein tiefes Naturempfinden..... cf. P&P Jacob Isaaksz van Ruisdael (also “Ruysdael”) (c.1629–82) “The Great Beech with Two Men and a Dog”, c. 1651–55, from McCreery’s 1816 edition of “200 Etchings” pulled from the original plates Etching on fine wove paper trimmed on or within the platemark (as published by McCreery) and lined onto a conservator’s support sheet Size: (sheet) 19.7 x 28.3 cm Inscribed in lower margin: "Ruisdael f.". State II (of II) The British Museum offers the following description of this print: “Two farmers with their dog; landscape with the farmers on a road in lower left, walking through a forest, a mature and gnarled tree in right foreground. c.1650” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3097027&partId=1&searchText=ruisdael&page=3) Slive EII; Bartsch I.312.2; Hollstein 2.II