peter helm X.com DWEED 2059 :: rather scarce : recht selten :: https://twitter.com/PeterHelm12/status/1763607921143722364

Helm Art 0700 rather scarce:recht selten

Est. EUR 560-1200 online offers <>
see also The Agony in the Garden Chevalier de Claussin after Rembrandt cf. DROUOT PARIS LIVE https://drouot.com/en/l/18212004-ignace-joseph-de-claussin-1795 Highly deceptive.Rather scarce :: Täuschend ähnlich.Recht selten Ignace-Joseph Chevalier de Claussin (1766-1844) after Rembrandt B.23 , W/B.23 , H.110 , B/B. 34-B Self portrait (?) with plumed cap and lowered sabre. Etching and Drypoint 1634 131x107mm;5 3/16 x 4 3/16 inches Signed and dated Rembrandt f 1634 Before Rembrandt pared this plate down to an oval ( the second state), it showed him standing imperiously, right hand on hip and left hand propped over the hilt of an upright sword. His hat now bears a feather; his hair cascades in ringlets; his demeanor is smug; his chest is adored with the brass fixture of a cavalier. In just a few years' residency in the great port of Amsterdam, during what would become known as Holland's Golden Age, Rembrandt has become prosperous. <> The original print B 23 iii/iii was listed in the Catalogue Uncommon Prints 3 REMBRANDT THE PORTRAITS of Theodore B. Donson LTD New York 1987 Cat. No.7 and offered for $ 11.500 <> See also: Parke Bernet Galleris ( Sotheby's New York 1967 ) Nowell-Usticke Sale Rembrandt Cat.No. 25, B23 2nd state of three Sold for USD 3.250 to Craddock&Barnard https://www.britishmuseum.org/collection/term/BIOG23925

25. REMBRANDT WITH PLUMED CAP AND LOWERED SABRE (B.,R.,S.23;H.110;B.-B.34-B), etching, second state of three with the plate reduced to an oval, a very fine impression of this state, with small rectangular margins, a small repair on the left just above the shadow, repairs in the corners of the margins 5 1/8 x 4 1/4 inches 130 mm x 107 mm. Purchased from the Anderson Galleries Though few compilers have agreed about the identity of this portrait. Hind's idea that this may be a dramatic version by Rembrandt of himself seems the most likely, given the date , 1634. The other suggestions are that it is Prince Adolphus of Gueldres (Middleton); Admiral van Dorp (Dr.Jan Six); and Joris de Caullery (Biörklund) Münz, who thinks that Rembrandt used the same model in this etching as in the painting of Samson threatening his father-in-law at Berlin, inclined to agree with Dr. Six's identification of the sitter. This plate was initially a rectangular composition with Rembrandt holding a sabre There is a painting of the same subject, formerly in the Seligmann Collection (K.d.K. 54) [See illustration] of number 25 opposite

1st Edition 1967 (Livingstone)

https://www.zvab.com/Distinguished-Collection-Rembrandt-Etchings-formed-Gordon/22909874671/bd Two volumes. Please note that the sale of the Rembrandt etchings was a two part sale. The details above refer to Part I. Part II details will follow. The reference number and price refer to BOTH volumes as a set. The boards for both are elegant, smart: green cloth covered boards with pressed gilt titling. The boards for Volume I are a little scuffed and a little worn about the edges from shelving. They are steady and sure. The papertrims have a scattering of foxing spots. The contents are pleasing. Tight, clean, clear, assiduous, very assured. "Part Two: Public Auction Tuesday and Wednesday April 30 and May 1 at 1:45 pm (1968)". The boards are as with the first volume. They have very light wear about the edges from shelving. The contents are most pleasing. Serene, bright, clean, clear, assiduous, bloGspOt 3713 https://0700polygraf.blogspot.com/2021/05/httpweb.html dweed 2059

Highly deceptive.Rather scarce :: Täuschend ähnlich.Recht selten

collection HELM&HELM sammlung <> https://twitter.com/PeterHelm12/status/1763607921143722364 https://rembrandt-art.de/sammlung/selbstbildnisse/selbstbildnis-mit-dem-federbusch/

peterhelm est.1980 european books & prints works of art 15th to 20th century kunst antiquitäten juwelen