ABC aces braces cases faces places races traces again against againster againstest ::: exploring www knowledge cultures ideas ::: artHELMkunst recherche EXP research at the helm @peterhelm EXPERTISE @peterhelm sites.google.com/view/0700-art-expert BUREAUPLAT sites.google.com/view/0700-kstsachverstaendigenbuero KUNSTSACHVERSTAENDIGER

bloGspOt 3105 augsthelm polygraphice polygraf0700polygraph LE CAVALIER DEMONTÉ Vernet Lithographie dweed 1358 https://twitter.com/PeterHelm12/status/1634726613630713857 some facts chequers somewhat vague , somehow unverifiable or sometimes falsified https://www.wikiwand.com/de/Jean-Honoré_Fragonard at aces faces places races traces <> don't get me wrong https://www.youtube.com/watch? like angels do REVALORISATION <> avant L'AGE D'OR après <> amateur professionell <> bloGspOt 3163 augst helm polygraphicae polygraf0700polygraph don't get me wrong dweed 1420 https://twitter.com/PeterHelm12/status/1646531925685993473 aces bvs faces kst places races traces value Google1st MA marketing pr roi sem seo ses www web archives <> <> <> POLYWEBINDEX <> https://www.jstor.org/stable/25699108 exploring www knowledge cultures ideas : https://www.jstor.org/stable/25699108 ::: artHELMkunst recherche EXP research at the helm @peterhelm EXPERTISE @peterhelm sites.google.com/view/0700-art-expert BUREAUPLAT sites.google.com/view/0700-kstsachverstaendigenbuero KUNSTSACHVERSTAENDIGER sites.google.com/view/0700-kunstsachverstaendiger EBERBACH 1387 :: seit 1980 since ISRAEL MAYER HAUS 1 AM SYNAGOGENPLATZ :: references referenzen :: sites.google.com/site/polygraphicumreferences <> sites.google.com/view/0700-art-expert sites.google.com/view/0700-kstsachverstaendigenbuero sites.google.com/site/peterhelmsachverstaendiger sites.google.com/view/0700-kunstsachverstaendiger sites.google.com/site/kunstundsachverstaendigenbuero sites.google.com/site/linden1expertise <>

Published to accompany an exhibition that was made up of 44 works. Extensive annotations provide original scholarship and research. The Greuze Museum acquired the only preparatory study preserved for the reception piece of Jean-Baptiste Greuze (1725-1805) at the Academy: Septimius Severus reproaching his son Caracalla for having wanted to assassinate him in the parades of Scotland. The book reveals the painter's intentions and the reasons for his failure at the Academy to reveal the ideological fabric and the theoretical stakes of the case. The Septimus Severus, now preserved in the Louvre, marks a decisive step in the career of Jean-Baptiste Greuze (1725-1805). Then, famous for his portraits and scenes of everyday life, Greuze decides to paint, contrary to all expectations, a painting of history for his reception piece at the Royal Academy of Painting and Sculpture: Septimius Severus reproaching Caracalla for his Son of having wished to assassinate him in the defiles of Scotland. This major work, considered as one of the first milestones of neoclassicism, provoked intense controversy during its presentation at the Academy on August 23, 1769, and then at the Salon a few days later. This work, published on the occasion of the bicentennial of the death of the painter, reopens the file of the very famous affair of Septimius Severus, one of the cruel episodes of the life of Greuze. - from the Somogy web site. N° de réf. du vendeur 104750