HOLZSCHNITT GRAVURE SUR BOIS PRINT FROM WOOD INCISIONE IN LEGNO Peter helm Catalogs online www.polygraficum.de MASTERPRINTS www.polygraphicum.de @peter helm 0700PETERHELM

HOLZSCHNITT GRAVURE SUR BOIS PRINT FROM WOOD INCISIONE IN LEGNO Peter Helm Catalogs online www.polygraficum.de MASTERPRINTS www.polygraphicum.de @peter helm 0700PETERHELM Gsites at the HELM Google1st http://0700polygraf.blogspot.com/2021/05/httpweb.html https://sites.google.com/site/peterhelmwww/about https://web.archive.org/web/20100314010351/http://www.polygraphicum.de/Holzschnitt.html https://sites.google.com/site/0700kunst/holzschnitt tweets peter helm twitter polygraf0700polygraph

0700KUNST HOLZSCHNITT POLYGRAPHICUMHELM 1980.GRAFIKBOERSE.COPYRIGHT CONTACT REFS€$.PETER HELM. he1m-eberbach.com HOLZSCHNITT .PRINTS FROM WOOD .GRAVURE SUR BOIS .INCISIONE IN LEGNO Omaggio a Professore Jim Monson . Nizza . Holzschnitt Holzstich & Linolschnitt . Portfolio ausgewählter Exemplare .TOP HOLZSCHNITT.SPEYER SEBASTIAN MÜNSTER 1592 Monogramm HF . Polygraphicum1Holzschnitt.jpg J.M.Papillon Clairobscur Master Print Sammlung Peter A. Helm °jim° . . .Johann de Colonia & Nicolas Jeanson .Octavianus Scotus.Monsa . . . ..Johann Schoeffer.Mainz .Johann Schoeffer.Mainz .Peter Schoeffer.Mainz . . . ... Herman Boengart .Antoine Verard .De Marnef .Guyot Marchant . . . . . Georgius Mittelhus .Philippe Pigouchet .Simon Vostre .Berthold Remboldt .Berthold Remboldt . . . . . Michel Le Noir. ..Philippe Le Noir .Denis Roche .Guillaume Eustache .Guillaume Eustache . . . . . .Andreas Bocard .Jehan Petit .Jean Petit .Thielman Kerver Peter Regnault . . . . . .Peter Regnault .Francois Regnault. .Germain Hardouin .Gillet Hardouin .Gilles de Gourmont . . . .Galliot Du Pres .Jaques Cousin .Jehan Granjon °jim° . . . Polygraphicum1Theuerdank13.jpg & Polygraphicum1aTheuerdank13col.jpg HOLZSCHNITT THEUERDANK Theuerdank erlegt einen entgegenstürmenden Hirschen mit dem Schwert vom Pferd aus Geschnitten von Hans Schäufelein 1517, geändert von Leonhard Beck .Ohne das Monogramm HS im Block zu Kapitel 13 des Theuerdank Master Print Sammlung Peter A. Helm °jim° . Polygraphicum2Theuerdank101.jpg THEUERDANK HOLZSCHNITT Theuerdank und sein Turniergegner stürzen in sehr stürmischem Rennen nach Aufprall vom Pferd Aquarell. Holzschnitt von Leonhard Beck 1517 geschnitten zu Kapitel 101 des Theuerdank Master Print Sammlung Peter A. Helm °jim° . Polygraphicum3Theuerdank19.jpg THEUERDANK HOLZSCHNITT Im tiefen Wald jagt Theuerdank mit seinem Jagdhund einen Eber mit dem kurzen Degen Holzschnitt von Leonhard Beck 1517 zu Kapitel 19 des Theuerdank Master Print Sammlung Peter A. Helm °jim° Seite im Aufbau....Page under construction....Site en construction....TOP .. .JOHN JACKSON ~ A TREATISE ON WOOD ENGRAVING HISTORICAL & PRACTICAL .With upwards of three hundred illustrations engraved on wood,by John Jackson .LONDON:CHARLES KNIGHT AND CO. LUDGATE STREET.1839 .Titlepage in letterpress.London 1839 . Complete with all plates as published .Collection HELM&HELM Lindach .Polygraphicum1JacksonTreatiseWoodEngraving1839.jpg °jim° . . JOHN JACKSON ~ A TREATISE ON WOOD ENGRAVING :LONDON CHARLES KNIGHT & CO 1839 .Wood Engravings by Jackson after Burgkmair No.27 (with his mark) & No.74 (without his mark) .Collection HELM&HELM Lindach .Polygraphicum2-3jacksonTreatiseWoodEngraving1839.jpg °jim° . .T.O. WEIGEL & A. ZESTERMANN 1866 . Die Anfänge der Druckerkunst in Bild & Schrift .COLLECTIO WEIGELIANA .Vorderdeckel.Vergoldung.Leipzig.T.O. WEIGEL 1866 cf. Catalogus Alphabeticus Bibl. Acad. Heidelberg Universitätsbibliothek Heidelberg vol. 702 Signatur F 7679 fol. .Provenance JOHANN KÖNIG VON SACHSEN .Bruder &.Nachfolger Friedrich August II. von Sachsen .Lugt 1405 .LINK:KÖNIG JOHANN VON SACHSEN (1801-1873) .Silke Marburg.Mainz.Dresden .Institut für Europäische Geschichte.Mainz .Bekannte Freunde & Verwandte von König Johann von Sachsen und die Binnenkommunikation des Europäischen Hochadels .Sammlung HELM&HELM Lindach .Polygraphicum1WEIGELZESTERMANN1866.jpg °jim° .WEIGEL-ZESTERMANN Druckerkunst. 1866 ~LUGT 1405. WEIGEL-ZESTERMANN 1866~WALTER CANTZ.STGT. WEIGEL-ZESTERMANN 1866 ~ JAN TSCHICHOLD 1963 .Sammlung HELM&HELM Lindach .Polygraphicum2-4WEIGELZESTERMANN1866.jpg °jim° . . WEIGEL&ZESTERMANN. Anfänge der Druckerkunst. Titel. LEIPZIG 1866. WEIGEL&ZESTERMANN Druckerkunst. Farbtafel Apokalypse XVII, 2. Leipzig 1866 Provenienz :: JOHANN KÖNIG VON SACHSEN (Sammlungs-Stempel. Lugt 1405) ~Walter Cantz. Stuttgart (Exlibris) ~Jan Tschichold 1963 .Collection HELM&HELM Lindach Polygraphicum5-6WeigelZestermann1866.jpg °jim° . . WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 .Farbtafel Historia St.Johannis Evangelistae ejusque visionesApocalypticae Farbtafel Xylografische Ausgabe der Biblia Pauperum mit deutschem Text. Wohl Nürnberg um 1460 .Friedrich Walthern und Hans Hürning.Nördlingen 1470 .Provenienz: Johann Nepomuk Maria Joseph König von Sachsen (Lugt 1405) ~ Walter Cantz. Stuttgart ~ Jan Tschichold 1963 .Collection HELM&HELM Lindach .Polygraphicum7-8WEIGELZESTERMANN1866.jpg °jim° . .WEIGEL & ZESTERMANN Anfänge der Druckerkunst.Leipzig.Weigel 1866 .Colour plate illustration SALVE REGINA First image b.1. - Coloured Woodcut by Lienhart of Regensburg c.1460-70 .Provenance. Johann King of Saxony - Brother and Follower of Friedrich August II of Saxony (Lugt1405).Walter Cantz. Stuttgart - Jan Tschichold 1963 .Collection HELM&HELM Lindach . .Polygraphicum9WEIGELZESTERMANN1866.jpg °jim° . .WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig Weigel 1866 WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 Farbtafel Die Sieben Todsünden .Hoffart. Papierhandschrift . Wohl Ulm etwa 1470 Farbtafel Die Sieben Todsünden.Demut. Papierhandschrift. Wohl Ulm etwa 1470 Provenienz: JOHANN KÖNIG VON SACHSEN (Lugt 1405) -Walter Cantz. Stuttgart - Jan Tschichold 1963 Sammlung HELM&HELM Lindach Polygraphicum10-11WEIGELZESTERMANN1866.jpg °jim° . . .WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 Farbtafel SPIELKARTEN Das Heilige Kreuz mit dem Zeichen .yhs. .Farbtafel SPIELKARTEN St.Johannes der Täufer . Holzschnitt um 1450-60 .Schwaben.Um 1450 .Nach dem oberbayrischen Metallschnitt von 1430-50.Abweichendes Kolorit Provenienz.Sammlung Johann König von Sachsen (Lugt 1405) - Walter Cantz. Stuttgart - Jan Tschichold 1963 Sammlung HELM&HELM Lindach Polygraphicum12-13WEIGELZESTERMANN1866.jpg °jim° . . WEIGEL & ZESTERMANN Anfänge der Druckerkunst .Leipzig .Weigel 1866 WEIGEL & ZESTERMANN Anfänge der Druckerkunst. Leipzig. Weigel 1866 Farbtafel TEIGDRUCKE St.Georg zu Pferde ( Teigdruck mit Sammet.Um 1475 ) Farbtafel TEIGDRUCKE Maria als Himmelskönigin ( Teigdruck mit Gold.Um 1470 ) Empreinte en pâte . Empreinte en pâte Provenienz: Johann König von Sachsen (Lugt 1405) - Walter Cantz. Stuttgart - Jan Tschichold 1963 Sammlung HELM&HELM Lindach Polygraphicum14-15WEIGELZESTERMANN 1866.jpg °jim° . . . WEIGEL & ZESTERMANN Die Anfänge der Druckerkunst Leipzig. Weigel 1866 Frontcover ornamental decoration. Gilt and blind tooled borders Collection HELM&HELM Lindach Polygraphicum16-18WEIGELZESTERMANN 1866.jpg °jim° [X] T. O. WEIGEL & Dr. A. ZESTERMANN Die Anfänge der Druckerkunst. Leipzig. Weigel 1866 Frontcover. Ornament. Gilt & blind tooled. Medallions with Gutenberg's Name and the Monograms of Master ES, Master P, Master MS and Master IA Spine.Gilt Lettering Collectio Weigeliana Sammlung HELM&HELM Lindach Polygraphicum19-21WEIGELZESTERMANN1866.jpg °jim° . T .O. WEIGEL Katalog frühester Erzeugnisse der Druckerkunst - Catalogue de Premières Productions de l'Art d'Imprimer. Leipzig. Weigel 1872 Auszug aus dem Werke Die Anfänge der Druckerkunst von T. O. Weigel und Dr. A. Zestermann . Leipzig. Weigel 1866 Extrait de l'Ouvrage Les Commencements de l'Art d'Imprimer de T. O. Weigel et Dr. A. Zestermann. Leipzig. Weigel 1866 Contemporary half-leather . Spine gilt lettering. Exlibris Albert von Lanna. Prague - Additional Freemasonry Stamp mark..First edition.8° A comprehensive history of the beginning of printing followed by detailed annotations describing the early printed books & prints in the Library of Theodor Weigel (1812-1881) Leipzig. Bigmore-Wyman calls this book 'the most scientifically prepared catalogue ever issued'.The work contains 12 lithographed plates some of which are foldouts.Weigel spezialized in early illustrated books & incunabula.He tried to sell his collection in total a number of times but ended up in selling it via auction.This sale brought him a good return of his investment as made 81.000 Thaler Total description of 533 items. Ref. BIGMORE&WYMAN III, 71 Provenance: ALBERT VON LANNA. PRAG with his bookplate. Additional Freemasonry Stamp mark Collection HELM&HELM Lindach Polygraphicum1WEIGELLANNA1873 °jim° . EXLIBRIS ALBERT VON LANNA.PRAG WEIGEL.KATALOG .LEIPZIG 1873 Ref. Bigmore&Wyman III, 71 Polygraphicum1ALBERTVONLANNA.PRAG.jpg Collection Peter A. Helm Eberbach °jim° . SCHROTBLATT-DOTTED PRINT-MANIÈRE CRIBLÉE St.Hieronymus. 1450-1460 Lithographie nach dem Schrotblatt St.Hieronymus. Anonym. Anfang Drittes Viertel des 15. Jahrhunderts Lithographie d'après: St.Jérome , belle gravure en maniére criblée du commencement du 3e quart du 15e siècle Lithograph after St. Jerome , magnificent print in dotted manner about 1450-60 T.O.WEIGEL Katalog Frühester Erzeugnisse der Druckerkunst. Weigel. Leipzig 1873, p.164-65 Ref. Bigmore&Wyman III, 71 Provenienz: Adalbert Freiherr von Lanna. Prag. Exlibris Collection HELM&HELM Lindach Polygraphicum1WeigelSchrotblattHieronymus.jpg °jim° Polygraphicum1Papillon.jpg Polygraphicum1Jackson.jpg °jim° . . FARBHOLZSCHNITT County Seats of Great Britain & Ireland . Benjamin Fawcett (Bridlington 1808-1893 Driffield/Yorkshire) Um 1855 Fawcett war 'Engraver & Printer' und fertigte ab 1850 Farbdrucke, die von Hand nachgearbeitet wurden. Er strebte nach höchster Perfektion Er fand ein verbessertes Holzschnitt-Farbdruckverfahren und ist bekannt für besonders qualitätvolle Drucke transparenter Wirkung mit delikaten Farben, die in dünnen Schichten aufgetragen wurden cf. R. & A. McLean 'Benjamin Fawcett 1808-1893 Engraver and Colour Printer' . Aldershot 1988 cf. SAUR BBI, SAUR AKL Benjamin Fawcett (Bridlington 22.12.1808-12.1.1893 Driffield) Britischer Farbdrucker, Holzschneider, Zeichner und Buchbinder . Master Prints Collection Peter A. Helm Polygraphicum1Fawcett.jpg cf. ARTFACT °jim° . Napoleon and the English Sailor . Colour Print from wood by Wilbert.Campbell cf. Ruari McLean Victorian Colour Printing. London. Faber&Faber 1963 Collection HELM&HELM Lindach PolygraphicumCampbell.jpg °jim° ´ . Burial of Sir John Moore . Colour Print from wood .Th.Nicholson del. Edmund Evans sc. London cf. Ruari McLean Victorian Colour Printing London. Faber&Faber 1963 Collection HELM&HELM Lindach PolygraphicumEdmundEvans.jpg °jim° . SNOW-BALLING - CHRISTMAS EVE Colour Print from Wood Obl.-Folio. GEORGE CARGILL LEIGHTON ? (1826-1895) London1855 Probably one of the four Colour Prints from Wood included at the Christmas Issue of THE ILLUSTRATED LONDON NEWS . December 22. 1855 Those Prints are stated as the first to be printed from wood and published for a Newspaper G. C. Leighton became in 1858 printer and publisher of The Illustrated London News cf. ACHENBACH FOUNDATION FOR GRAPHIC ARTS No.1963.30.28890 Fine Arts Museum. San Francisco ( Citing Artists Biography under : Lithographs 19th century ) cf. Ruari McLean Victorian Book design & Colour Printing. Faber&Faber. London 1963 The Illustrated London News colour plates are remarquable productions and deserve study: it is a pity that probably owing to their large size , they were never collected and published in book form . Master Print . Collection Peter A. Helm Eberbach Polygraphicum1ILN.jpg °jim° . . WILLIAM DICKES (Bath 7.5.1815 - 26.2.1892 London) Italian Scene-Pitcher Filling at the Fountain Scater in Holland Colour Prints from Wood.Signed in the Block. W. DICKES. LONDON c.1850 London cf. SAUR AKL and BBI cf. Ruari McLean p.144-146 William Dickes exhibited colour prints at the Great Exhibition of 1851 and at various later International Exhibitions, and, presumably about 1850, became a licensee of Baxter's process Collection Peter A. Helm Eberbach Polygraphicum1-2Dickes.jpg °jim° . WILLIAM DICKES ( Beechen Cliff / Bath 7.5.1815 - 26.2.1892 Brixton / London ) Hare - Rabbits Colour Print from Wood by William Dickes c.1850 Signed outside the colour area W.DICKES lower right side cf. SAUR AKL and BBI etc. cf. Ruari McLean Victorian Book Design and Colour Printing. Faber & Faber . London 1963...... William Dickes was a modest and conscientious craftsman, pioneering in colour printing for the growing middle- and lower-middle class reading public, and all his work was clearly of the highest quality that he could make it for the price, often perhaps higher... Master Print Collection Peter A. Helm Polygraphicum3Dickes.jpg °jim° The Dog and the Shadow Colour Print. After 1855 Leisure Hour - Kronheim&Co Joseph Martin Kronheim ( Magdeburg 26.10.1810-1896 Berlin ) , worked as a printer and lithographer in Paris and Edinburgh before coming to London about 1846 According to Courtney Lewis, Kronheim sold out his interest in his firm to one of his partners, a Mr.Frauenknecht, in 1855, tried other things in Germany and America for some years, and then returned to his old firm, where he remained till he retired in 1887.Frauenknecht died in 1883 Kronheim was a licensee of the Baxter printing process and used from eight to sixteen colours, printed from zinc or copper plates on top of the steel key plate impression His colour prints after the mid 1850s fall generally in two categories. They are either Kronheim's variation of the baxter process, or they are straightforward letterpress from wood or metal blocks cf. Ruari McLean Victorian Colour Printing . London Faber&Faber 1963 LINK GeorgeBaxter.com Collection HELM&HELM Lindach Polygraphicum1Kronheim&Co.jpg °jim° Polygraphicum1Kristeller.jpg Holzblock Original Druckstock für Textildruck . Polygraphicum1Holzblock.jpg Sammlung Peter A. Helm Eberbach . HOLZSCHNITT Kind und Schmetterling Monogrammiert im Block R.B Adrian Ludwig Richter Dorfidyll Holzstich Master Prints Sammlung Peter A. Helm Polygraphicum1RB.jpg °jim° . Statue of Liberty Project Wood Engraving Collection HELM&HELM Lindach Polygraphicum1StatueofLibertyProject.jpg °jim° Polygraphicum1Monson.jpg Polygraphicum2Monson.jpg °jim° Polygraphicum3Monson.jpg Polygraphicum4Monson.jpg °jim° HOLZSCHNITT - REDUCTION CUT Gezeichnet, geschnitten und in mehreren Farben in kleiner Auflage gedruckt von Prof. James Monson . Nizza . ° Dear Jim and Isolde, receiving your letter-card of 04.01.2001 , I would like to answer your questions on Jean-Michel Papillon etc.If one reads all principal sources where he is to be found, there remain indeed some mysteries about his life and work.He is very lively discussed and not free of strong critics.Beside his technical abilities he seems to have had some good fantasy on his personal rank and artistic value.His success and becoming famous brought against him some grudgers.Especially the fact that his woodcuts were placed together with the copper-engravings of the best artists of that time, in the best publications of the French Illustrated Book of the 18.th century. His 'Recueil des Papillons' presented by himself to the Bibliotheque Royale consists of more than 5000 pieces, and his Title and head pieces for the 1727/1745 published Petits Almanachs de Paris were called after him 'papillons'.Jean Adhémar in his standard-work 'La Gravure originale au 18e siècle, states that Papillon wanted to become artist as child already and at the age of nine cutted copies after Callot and Israel Silvestre.He had to do this behind his fathers back.At the age of seventeen he started to cut heraldics, flower-garlands and head & tail-pieces for Paris Book Traders.His job inspired him to work up to be knocked out.His most famous works and wood-cut masterpieces became his final cuts of the well-known and celebrated Oudry edition of the La Fontaine Fables in Paris 1755-59.Cut together with Nicolas Le Sueur after the designs of Bachelier.This series of woodcuts and designs were famous enough so that Bachelier himself brought out another production of this designs.This time engraved and etched on copper by P.P.Choffard, c.1760 at Veuve Chereau, rue St.Jacques au Piliers d'Or.Announced in four suites, but realised were finally only two.This information is from:Das Buch als Kunstwerk,Franzoesische Buecher aus der Bibliothek Hans Fuerstenberg.Ausstellung Schloss Ludwigsburg 1965.Katalog Nr.20.Last not least Papillon became well-known by his Traité historique et pratique de la gravure en bois.Paris 1766.Even if heavily discussed because of some uncorrectness,in general today accepted as interesting source of reference.I like it, and read sometimes in it.There are many hidden informations and marvellous small cuts by his hand all over its pages.I came by chance about this collection of cuts, which was in a large portfolio of works.On verso is always printed text to be found.Single prints without text on verso are not known.By the way this Oudry Edition was a financial desaster for the Publisher.Only with the King's personal help it became possible to complete the 4.th volume.Immense Paper costs and paying c. forty engravers under the direction of Cochin for about five years were huge financial efforts to be made.Nevertheless this Masterpiece promptly became a classic to be copied in countless French paintings, carvings and tapestries, and later book productions.Still today this Oeuvre is a highlight of every Rare Book Sale worldwide.At the end of my letter I will make an excursion to Papillons Traité Supplement, diving into the pleasing and interesting titles, cuts and notes of this 124-pages volume. In memory of your love of Jean-Pierre Norblins miniature etchings, I will pay attention to a leaf of cuts on verso and recto by Papillon between page 20 and 23.It shows recto a set of 12 woodcuts of biblical scenes.Each c. 18/33 mm .Verso a set of 'Sternzeichen' each cut depicting Putti with the animals of the monthly sign in a vivid scene.Each one 15/43 mm in size.Above both sets is placed a small fine head-piece in allegory or with symbolizing figures.Very fascinating woodcuts at the technical limit of miniture cutting on wood.I think pages 27-44 show interesting examples of personal correspondance between Papillon and Jean-Baptiste Oudry (dated 27.4.1733).And Père du Halde.Jésuite and Expert of Asia and China.(dated 5.6.1735), Comte de Tourrettes-Villeneuve (dated 10.9.1752), Marquis de Bandol (dated 1766), J.N.Vatar Imprimeur du Roi (dated 6.1.1767), Cochin (dated 25.3.1767), etc. All over interesting correspondance , especially the letters with du Halde touching the impression and engraving on wood in China. Pages 45-69 include some chapters with seducing headlines and head-pieces, like PRATIQUE ...De creuser & préparer le bois pour graver les lointins & les parties éclairées.With fine woodcuts of instruments as Grattoirs à Éffacer et à Creuser. MANIÈRE DE GRATTER ...Les tailles déjà gravées pour les rendire plus fortes, afin de les faire ombrer davantage.With fine large cut of instruments as 'Grattoire à Ombrer'. METHODE...Pour bien imprimer les endroits creusés de la gravure en bois.With illustrations. MANIÈRE DE BOMBER...Les planches de bois pour empêcher la gravure, principalement les fleurons ou culs-de-lampes, de pocher & de s'écraser sur les bords en imprimant.With illustrations. NOUVELLES INSTRUCTIONS...Touchant l'Ésprit de la Gravure.With Illustrations. On page 69 follows an 'Explication des cinq Estampes pour l'Almanach projetté de la Loterie Electorale Palatine à Mannheim'.Up to page 73. I sold this very rare Almanach some time ago to a Private Archive Collection. It was printed at Mannheim in 1770 by the Printing Room of the Loterie Palatine of Kurfuerst Carl-Theodor. And I was very happy to find these explications on the projected cuts, which were consequently realized indeed. Pages 74 to 81 follow two other inviting chapters for the interested reader : DÉCOUVERTE CURIEUSE...Qui étant perfectionné, pourroit produire des estampes gravées en bois, aussi belles que les plus agéables de la gravure en bois qui auroit beaucoup tiré, & dont les tailles se pâteroient ou se boucheroient d'encre.With illustrations. ARRÊTS EN FAVEUR DES...Dominotiers-Tailleurs d'histoires, & autres en faveur de la gravure des estampes, tant en bois qu'en cuivre. etc.,etc. etc.... Even if you were slightly kidding and showing a little understatement with words as 'completely unknown to me' and 'this mysterious Monsieur Papillon', it was a great pleasure and good exercise for me to try the best possible answer and documentation for you and your two prints. It's a long time that you brought me elegant and diplomatically to write a lot on this famous Messieurs. Papillon, both Father and Son would possibly have enjoyed it. Biographical Data : Jean-Michel Papillon (Jean-Baptiste Michel I) 2.6.1698-Paris-June 1776 His Traité was commentated extensively in Chattos Treatise on Wood-Engraving with plates by J.Jackson.London 1839 Kind regards Peter C° Copyright.2001 POLYGRAPHICUM HELM EBERBACH. All rights strictly reserved . MASTER PRINT FROM WOOD HOLZSCHNITT GRAVURE SUR BOIS Un lis élevé Gravé et signé par Maître Jean-Michel Papillon. Paris c.1750 Imprimé par P. Thevenard .Imprimeur du Roi & J. B. Duterte . Paris 1755-59 Un lis élevé, prêt à donner de nouvelles fleurs, sort de deux palmes, & se trouve accompagné de deux branches, l'une d'olivier & l'autre de laurier. Ceci forme une espece de faisceau ceint d'une banderole, chargé de fruits, de fleurs, & d'une guirlande de même qui en réunit toutes les parties. Le Peintre ayant en vue la Famille royale, a voulu exprimer par cette allusion pittoresque & agréable l'affermissement du sceptre entre les mains des Bourbons, la gloire & le bonheur du regne de Louis XV cf. SAUR AKL et SAUR BBI, Thieme-Becker etc. cf. WINTER/WEINREICH p.155, fig.15 Collection Professor James Monson Nizza Polygraphicum1PapillonLis.jpg °jim° MASTERPRINT FROM WOOD HOLZSCHNITT GRAVURE SUR BOIS Riche corne d'abondance Maître Jean-Michel Papillon sculpsit. Paris c. 1750 Imprimé par P. Thevenard.Imprimeur du Roi & J. B. Duterte. Paris 1755-59 Une riche corne d'abondance, d'ou sortent des gerbes chargées d'épis, & des branches de vigne chargées de raisins. Ces fruits précieux recoivent l'hommage des différentes fleurs, qui s'y entremêlent & et qu'ils embelissent cf. SAUR AKL et SAUR BBI, Thieme-Becker etc. cf. KRISTELLER Kupferstich und Holzschnitt in vier Jahrhunderten. Berlin, Bruno Cassirer 1905 Mit Abbildungen cf. PRINCETON UNIVERSITY LIBRARY European Graphic Arts Department of Rare Books & Special Collections Collection Professor Jim Monson . Nice. France Polygraphicum2PapillonRicheCorne.jpg °jim° . MASTERPRINT FROM WOOD HOLZSCHNITT GRAVURE SUR BOIS Une corbeille de fleurs dans le genre pastorale J.-M. Papillon. Paris c.1750 Imprimé par P. Thevenard. Imprimeur du Roi & J. B. Duterte. Paris 1755-59 Une corbeille remplie de divers es fleurs : une houlette, ornée d'un ruban noué galamment vers le haut y est attachée, & caractérise un tribut ou l'offrande d'un Berger cf. SAUR AKL et SAUR BBI, Thieme-Becker etc. cf. KRISTELLER Kupferstich und Holzschnitt in vier Jahrhunderten. Berlin. Bruno Cassirer 1905. Mit Abbildungen Collection Professor James Monson Nizza.France Polygraphicum3PapillonCorbeilledeFleurs.jpg °jim° . °jim° °jim° . DALI DANTE Divina Commedia-Göttliche Komödie-Divine Comedy-Divine Comedie Farbholzschnitt.Paris 1963 Von allen diesen Dingen ledig, mit Beatrice dort in solchem Glanze Da tutte queste sciolto, con Beatrice m'era suso in cielo Les particules des corps se meuvent dans un rayon de lumière With Beatrice, I thus gloriously was raised aloft, and made the guest of heaven Paradies 11 °jim° . . . DALI DANTE Divine Comedy Colour print from wood. Paris 1963 Paradise 12-13-14 °jim° . DALI DANTE Divine Comedie Gravure sur bois en couleurs.Paris. Les Heures Claires 1963 Paradis 9 Ici on désarme le Bien qui fait le monde enhaut exercer son influence en bas °jim° . . . DALI DANTE Göttliche Komödie Farbholzschnitt von bis zu vierzig Blöcken. Paris. Les Heures Claires. 1963 Hölle 12-13-14 °jim° . DALI DANTE Divina Commedia Incisione in legno a colori. Parigi. Les Heures Claires 1963 Paradiso 12 L'esercito di Christo dietro alla insegna si movea °jim° Polygraphicum1Linolschnitt.jpg LINOLSCHNITT Detail oben Maennlicher Akt von der Frontale. Gr. in Folio. Namhafter Künstler Dresden, um 1900 Master Print Sammlung Peter A. Helm °jim° Polygraphicum1aLinolschnitt.jpg LINOLSCHNITT Detail unten Männlicher Akt von der Frontale Gr. in Folio Namhafter Künstler. Dresden, um 1900 Master Print Sammlung Peter A. Helm ° °jim° . http://www.polygraphicum.de Peter Augustus Helm http://www.he1m-eberbach.com ZUR STARTSEITE jusline.de GRAVURE SUR BOIS HOLZSCHNITT WOOD ENGRAVING Marketing POLxPERT Network Online Ideas.Concept.Visions Marketing POLxPERT Network Online Project Ideas.Concept.Visions . EVERBEACH FARAWAYBEACH . abCart HIGHDELBERG MANHIGHM . All rights strictly Reserved ENGRAVING On WOOD 0700 POLYGRAPHICUM CATALOG excerpt 2011 2012 2013 CHINA MUESSEUM recherche PETER HELM research HOLZSCHNITT GRAVURE SUR BOIS PRINT FROM WOOD INCISIONE IN LEGNO Peter helm Catalogs online www.polygraficum.de MASTERPRINTS www.polygraphicum.de @peter helm 0700PETERHELM @peterhelm http://sites.google.com/site/polygraf/./agevirtuel/./apocolocyntosis/./artifex/./augustus/./epp/./everbeach/./exposales/./forshighm/./he1m/./highdelberg/./highlbronn/./hvirtuel/. /manhighm/./metamorphosis/./mygo0og/./polpix/./polxpert/./safseo/./semxseo/./semlaseo/./wegoogyou/./zem1zeo

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